I'm attracted to soccer's capacity for beauty. When well played, the game is a dance with a ball.
Interpretation
The quote highlights the artistic beauty of soccer when played skillfully.
Eduardo Galeano's quote expresses a profound appreciation for soccer, comparing its elegance and flow to that of a dance. This metaphor conveys how skillful play transforms the game into an art form, where movement and precision create an aesthetically pleasing experience, akin to a performance rather than just a sport.
In practice
In a speech about sportsmanship, one might quote, 'I'm attracted to soccer's capacity for beauty' to illustrate the aesthetic aspects of the game.
Utopia is on the horizon. I move two steps closer; it moves two steps further away. I walk another ten steps and the horizon runs ten steps further away. As much as I may walk, I'll never reach it. So what's the point of utopia? The point is this: to keep walking.
It is highly improbable that the bureaucrat will put his life on the line. It is absolutely impossible that he'll put his job on the line.
We live in a world that treats the dead better than the living. We, the living are askers of questions and givers of answers, and we have other grave defects unpardonable by a system that believes death, like money, improves people.
History never really says goodbye. History says, 'See you later.'
The more freedom is extended to business, the more prisons have to be built for those who suffer from that business.
Utopia lies at the horizon. When I draw nearer by two steps, it retreats two steps. If I proceed ten steps forward, it swiftly slips ten steps ahead. No matter how far I go, I can never reach it. What, then, is the purpose of utopia? It is to cause us to advance.
Art was, seriously, the only thing I'd ever wanted to own. It has always been for me a stable nourishment. I use it. It can change the way that I feel in the mornings.
When I judge art, I take my painting and put it next to a God made object like a tree or flower. If it clashes, it is not art.
Generally, we use light to illuminate other things. I like the thingness, the materiality of light itself. So it feels like it's occupying the space, making a plane, being something that was there, not just passing through. Because light is just passing through. I make these spaces that seem to arrest it for our perception.
'Untitled' is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was scarce, and artists like Tiravanija were in the nascent stages of combining Happenings, performance art, John Cage, Joseph Beuys, and the do-it-yourself ethos of punk. Meanwhile, a new art world was coming into being.
Just because I'm playing jazz I don't forget about me. I play or write me, the way I feel, through jazz, or whatever.
My only job is to write in such a way that the reader gets a new handle on humanity.
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