I believe every guitar player inherently has something unique about their playing. They just have to identify what makes them different and develop it.

Once I get onstage the tension explodes and I'm fine. I'm in another world - in a trance almost, doing what I love best, expressing myself through guitar.

I can communicate far better on a guitar than I can through my mouth.

I wanted to emulate music from America - young punks playing rock n' roll is what it was. I read part of Keith Richards' autobiography, and it was totally parallel with me, learning from American records.

We were never a band that did 96 takes of the same thing. I had heard of groups that were into that kind of excess around that time. They'd work on the same track for three or four days and then work on it some more, but that's clearly not the way to record an album. If the track isn't happening and it creates some sort of psychological barrier, even after an hour or two, then you should stop and do something else. Go out: go to the pub, or a restaurant or something. Or play another song.

I can't think of a greater guitar icon than someone who has the musical intellect to change what was there before and take music in another direction. That's a guitar hero for me.