It's important that when you do standup, you do small places like coffee shops and also big places like colleges. It helps you find the little nuances in your set that don't work, and you can shave off the excess.
Interpretation
Performing in various settings helps comedians refine their material.
Tig Notaro emphasizes the importance of performing stand-up comedy in both intimate venues like coffee shops and larger venues such as colleges. This variety allows comedians to discover the subtle elements of their performance that may not resonate well, enabling them to refine and enhance their comedic sets by removing unnecessary parts.
In practice
During a comedy workshop, I mentioned how performing in small venues and large settings can refine one's act, quoting Tig Notaro.
I get kind of, um, bored by all the sexuality and gender labels because I feel like that's where the problem comes in, when people feel that they need to have these particular identities. If you didn't have these labels, and you just acted on how you genuinely felt at any point, then you wouldn't have anything to contend with.
People write me every day. It feels like this cycle that keeps giving, because as far along as I get in my happiness and success, hearing other people's stories is a constant reminder of where I came from, where people are, and how much help everybody still needs.
It's not the child's responsibility to teach the parent who they are. It's the parent's responsibility to learn who the child is.
When you first start out in stand-up and, probably, as any performer, you enjoy the attention so much, and even though that hasn't died down on stage, it certainly has satiated whatever was in me that was needing that much attention. When I'm off stage, it's not something that I really need.
Before I had a double mastectomy, I was already pretty flat-chested, and I made so many jokes over the years about how small my chest was that I started to think that maybe my boobs overheard me... and were just like, 'You know what? We're sick of this. Let's kill her.'
People have responded to my stories so well. They come up after a show and say things like, 'Your album really helped me,' or 'I have stage four cancer. I'm terminally ill.' Somebody told me it gave them the courage to die.
To desire to write poems that endure-we undertake such a goal certain of two things: that in all likelihood we will fail, and if we succeed we will never know it
They [photographs] teach you about your own unraveling past, or about the immediacy of yesterday. They show you what you look at. If you take a photograph, you've been responsive to something, and you looked hard at it. Hard for a thousandth of a second, hard for ten minutes. But hard, nonetheless. And it's the quality of that bite that teaches you how connected you were to that thing, and where you stood in relation to it, then and now.
There's nothing prettier in the world than a melody. I can get lost in a song with a melody. A lot of times I have, and the song wasn't that good, but I would get lost in that melody, and I'd want to do the song.
Comics are expensive. Donβt make me resent the money I spend buying yours. Every single moment in your script must either move the story along or demonstrate something important about the characters β preferably both β and every panel that does neither is a sloppy waste of space.
Whenever I think about movies, I always look at that art process as having the best of a lot of worlds. Because if you watch a great film, you have a musical element to it, not just on the scoring, but in the way that the shots are edited - that has music and rhythm and time.
Clearly the hardest thing for the working artist is to create his own conception and follow it, unafraid of the strictures it imposes, however rigid these may be... I see it as the clearest evidence of genius when an artist follows his conception, his idea, his principle, so unswervingly that he has this truth of his constantly in his control, never letting go of it even for the sake of his own enjoyment of his work.
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