Our business in life is not to succeed, but to continue to fail in good spirits.
Robert Louis StevensonRead
The most influential books, and the truest in their influence, are works of fiction. They repeat, they re-arrange, they clarify the lessons of life; they disengage us from ourselves, they constrain us to the acquaintance of others; and they show us the web of experience, but with a singular change-that monstrous, consuming ego of ours being, nonce, struck out.
Interpretation
Fictional works profoundly influence our understanding of life by connecting us to others and providing insights beyond ourselves.
Robert Louis Stevenson emphasizes the transformative power of fiction, suggesting that the most impactful books are those that allow readers to gain insight into life and human experiences. Through engaging narratives, fiction helps us step outside our own egos, fosters empathy, and deepens our understanding of the world and those around us, providing clarity on life's complexities and our interconnectedness.
In practice
A book club discussion on how fiction shapes our understanding of human relationships.
Our business in life is not to succeed, but to continue to fail in good spirits.
Like a bird singing in the rain, let grateful memories survive in time of sorrow.
That man is a success who has lived well, laughed often and loved much.
His past was fairly blameless; few men could read the rolls of their life with less apprehension; yet he was humbled to the dust by the many ill things he had done, and raised up again into sober and fearful gratitude by the many he had come so near to doing, yet avoided.
The habit of being happy enables one to be freed, or largely freed, from the domination of outward conditions.
It is the history of our kindnesses that alone make this world tolerable. If it were not for that, for the effect of kind words, kind looks, kind letters . . . I should be inclined to think our life a practical jest in the worst possible spirit.
I was allowed to write about race using an elevator metaphor because of Toni Morrison and David Bradley and Ralph Ellison. Hopefully, me being weird allows someone who's 16 and wanting to write inspires them to have their own weird take on the world, and they can see the different kinds of African American voices being published.
It was a great place to write a novel about book burning, in the library basement.
We can be reluctant to recognize how much of our culture was literary, particularly now that so many of the institutional purveyors of literature happily have joined in proclaiming its death. A substantial number of Americans who believe they worship God actually worship three major literary characters: the Yahweh of the J Writer (earliest author of Genesis, Exodus, Numbers), the Jesus of the Gospel of Mark, and Allah of the Koran.
People ask me why I write strong women, and I say, 'Well, I don't like stupid ones.' Who would want to read about weak and whiny women? Are they people who assume women are weak and whiny? If so, why do they think that?
But everything of value about me is in my books.
I love it when novels contain a broad cast of characters, including queer ones.
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