Our business in life is not to succeed, but to continue to fail in good spirits.
Robert Louis StevensonRead
The most influential books, and the truest in their influence, are works of fiction. They repeat, they re-arrange, they clarify the lessons of life; they disengage us from ourselves, they constrain us to the acquaintance of others; and they show us the web of experience, but with a singular change-that monstrous, consuming ego of ours being, nonce, struck out.
Interpretation
Fictional works profoundly influence our understanding of life by connecting us to others and providing insights beyond ourselves.
Robert Louis Stevenson emphasizes the transformative power of fiction, suggesting that the most impactful books are those that allow readers to gain insight into life and human experiences. Through engaging narratives, fiction helps us step outside our own egos, fosters empathy, and deepens our understanding of the world and those around us, providing clarity on life's complexities and our interconnectedness.
In practice
A book club discussion on how fiction shapes our understanding of human relationships.
Our business in life is not to succeed, but to continue to fail in good spirits.
Like a bird singing in the rain, let grateful memories survive in time of sorrow.
That man is a success who has lived well, laughed often and loved much.
His past was fairly blameless; few men could read the rolls of their life with less apprehension; yet he was humbled to the dust by the many ill things he had done, and raised up again into sober and fearful gratitude by the many he had come so near to doing, yet avoided.
The habit of being happy enables one to be freed, or largely freed, from the domination of outward conditions.
It is the history of our kindnesses that alone make this world tolerable. If it were not for that, for the effect of kind words, kind looks, kind letters . . . I should be inclined to think our life a practical jest in the worst possible spirit.
And now may the blessing of God rest upon all men. I have told unto them the Epic of Kings, and the Epic of Kings is come to a close, and the tale of their deeds is ended.
I love it when novels contain a broad cast of characters, including queer ones.
There is the myth that writing books for children is easier than writing books for grownups, whereas we know that truly great books for children are works of genius, whether it's 'Alice in Wonderland' or the 'Gruffalo' or 'Northern Lights.' When it's a great book, it's a great book, whether it's for children or not.
I do reread, kind of obsessively, partly for the surprise of how the same book reads at a different point in life, and partly to have the sense of returning to an old friend.
Novels institutionalize the ruse of eros. It becomes a narrative texture of sustained incongruence, emotional and cognitive. It permits the reader to stand in triangular relation to the characters in the story and reach into the text after the objects of their desire, sharing their longing but also detached from it, seeing their view of reality but also its mistakenness. It is almost like being in love.
I cannot start a story or chapter without knowing how it ends. ... Of course, it rarely ends that way.
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