It is much more valuable to look for the strength in others. You can gain nothing by criticizing their imperfections.
Daisaku IkedaRead
The institutions of human society treat us as parts of a machine. They assign us ranks and place considerable pressure upon us to fulfill defined roles. We need something to help us restore our lost and distorted humanity. Each of us has feelings that have been suppressed and have built up inside. There is a voiceless cry resting in the depths of our souls, waiting for expression. Art gives the soul's feelings voice and form.
Interpretation
Art allows us to express our suppressed feelings and restore our humanity in a society that often tries to define us by our roles.
In this quote, Daisaku Ikeda reflects on the constraints that societal institutions impose on individuals, which can lead to a disconnection from our true selves. He emphasizes the importance of art as a means of expressing the deep, often unvoiced emotions that reside within us, suggesting that through artistic expression, we can reclaim our humanity and communicate the complex feelings that society tends to overlook or suppress.
In practice
During a gallery opening, one might quote this to emphasize the transformative power of art.
It is much more valuable to look for the strength in others. You can gain nothing by criticizing their imperfections.
There’s no need for us to be held back by the past or how things have been so far. The important thing is what seeds we are sowing now for the future.
True love should be transformative; a process that amplifies our capacity to cherish not just one person but all people. It can make us stronger, lift us higher and deepen us as individuals. Only to the extent that we polish ourselves now can we hope to develop wonderful bonds of the heart in the future.
Let us give something to each person we meet: joy, courage, hope, assurance, or philosophy, wisdom, a vision for the future. Let us always give something.
Just as a diamond can only be polished by another diamond, it is only through genuine, all-out engagement with others that people can polish their character, and help each other to reach greater heights.
Creating harmony amidst diversity is a fundamental issue of the twenty-first century. While celebrating the unique characteristics of different peoples and cultures, we have to create solidarity on the level of our common humanity, our common life. Without such solidarity, there will be no future for the human race. Diversity should not beget conflict in the world, but richness.
I was always concerned with writing to my age at a particular moment. That was the way I would keep faith with the audience that supported me as I went along.
In general, writers shouldn't be killed for what they write, though I can think of exceptions.
Why can't I write something that would awake the dead? That pursuit is what burns most deeply.
Music is what I have to do, I only answer the questions so that I can do it.
History is my passion. So I write what I love to read. I find that if I combine history with a strong, sensual romance, it is like a one-two punch. The reader doesn't want the history without the romance, and of course the heavier the history, the more it has to be leavened with a sensual, all-consuming love story.
Sometimes I write from the point of view of characters whom I would dislike as people, not as a perverse exercise, but because this cracks the story open and makes me see it in a way I would not see it naturally.
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