We're our own dragons as well as our own heroes, and we have to rescue ourselves from ourselves.
Tom RobbinsRead
Get yourself in that intense state of being next to madness. Keep yourself in, not necessarily a frenzied state, but in a state of great intensity. The kind of state you would be in before going to bed with your partner. That heightened state when you're in a carnal embrace: time stops and nothing else matters. You should always write with an erection. Even if you're a woman.
Interpretation
The quote emphasizes the importance of experiencing intense emotions and passion in creative expression.
Tom Robbins suggests that true creativity comes from a state of heightened intensity and emotional involvement, akin to the passion experienced in intimate moments. He argues that this fervor is integral to writing and art, encouraging artists to tap into their most profound feelings and experiences to enrich their work.
In practice
This quote could be used in a creative writing workshop to inspire participants to embrace their emotions.
We're our own dragons as well as our own heroes, and we have to rescue ourselves from ourselves.
There are many things worth living for, a few things worth dying for, and nothing worth killing for.
The unhappy person resents it when you try to cheer him up, because that means he has to stop dwelling on himself and start paying attention to the universe. Unhappiness is the ultimate form of self-indulgence. When you're unhappy, you get to pay a lot of attention to yourself. You get to take yourself oh so very seriously.
I'm an outlaw, not a philosopher, but I know this much: there's meaning in everything, all things are connected, and a good champagne is a drink.' Bernard began to sing again. Timidly, Leigh-Cheri joined in. Between verses, they opened another bottle. The popping of its cork echoed throughout the great stone chamber. Of the three billion people on earth, only Bernard and Leigh-Cheri heard the popping of the cork and its echoes. Only Bernard and Leigh-Cheri passed out under the tablecloth.
The Divine was beyond description, beyond knowing, beyond comprehension. To say that the Divine was Creation divided by Destruction was as close as one could come to definition. But the puny of soul, the dull of wit, weren't content with that. They wanted to hang a face on the Divine. They went so far as to attribute petty human emotions - anger, jealousy, etc - to it, not stopping to realize that if God were a being, even a supreme being, our prayers would have bored him to death long ago.
On their sofas of spice and feathers, the concubines also slept fretfully. In those days the Earth was still flat, and people dreamed often of falling over edges.
Many of our greatest musicians abandoned all of their aesthetic objectives to try to become pertinent. And, at the end of the day, they never became pop stars. I counter stated that very strongly, and I continue to do that.
Throughout the time in which I am working on a canvas I can feel how I am beginning to love it, with that love which is born of slow comprehension.
Verses are not, as people think, feelings (those one has early enough) -- they are experiences. For the sake of a verse one must see many cities, men, and things, one must know the animals feel how birds fly, and know the gesture with which the little flowers open in the morning.
Do you know what elegance is? It is not only what you're wearing. It is how you wear it. who you are inside.
The cut of a garment speaks of intellect and talent and the color of temperament and heart.
I like smart movies about smart people, and enjoy it when most of the facts are on the table and we can contemplate them together.
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