Was it always my nature to take a bad time and block out the good times, until any success became an accident and failure seemed the only truth?
Lillian HellmanRead
I've always had great satisfaction out of writing the plays. I've not always had great satisfaction out of seeing them produced-although often I've had satisfaction there. When things go well in production, on opening there's no nicer feeling in the world-what could be nicer than watching an audience respond? You can't that from a book. It's a fine feeling to walk into the theater and see living people respond to something you've done.
Interpretation
The joy of writing plays surpasses the satisfaction of watching them performed, though the audience's response is incredibly rewarding.
Lillian Hellman's quote captures the dual nature of a playwright's experience. Creating plays brings a profound sense of fulfillment, yet the real joy often blooms when witnessing an audience engage with the work live. It emphasizes the unique connection and emotional reward that comes from seeing one's creations come to life, and how that response is irreplaceable compared to reading from a script.
In practice
A playwright may use this quote during a talk at a theater festival to emphasize the connection between artist and audience.
Was it always my nature to take a bad time and block out the good times, until any success became an accident and failure seemed the only truth?
If I had to give young writers advice, I would say don't listen to writers talking about writing or themselves.
It is best to act with confidence, no matter how little right you have to it.
If you believe, as the Greeks did, that man is at the mercy of the gods, then you write tragedy. The end is inevitable from the beginning. But if you believe that man can solve his own problems and is at nobody's mercy, then you will probably write melodrama.
Nobody knows what you want except you. And nobody will be as sorry as you if you don't get it. Wanting some other way to live is proof enough of deserving it. Having it is hard work, but not having it is sheer hell.
Failure in the theater is more dramatic and uglier than any other form of writing. It costs so much, you feel so guilty.
You don't write because you want to say something, you write because you have something to say.
Here's the truth you have to wrestle with: the reason that art (writing, engaging, leading, all of it) is valuable is precisely why I can't tell you how to do it. If there were a map, there'd be no art, because art is the act of navigating without a map. Don't you hate that? I love that there's no map.
At first, I found the music I was making really hard to find a home for. I felt like my attitude was really British, but not the actual sounds I was making. Back in 2003, when I made 'Galang,' there were no clubs that had an 'anything and everything' attitude.
I write screenplays in the middle of the night.
Whenever we have seen a crevice in the crust of convention, we have called attention to it, because we have hoped for a force underneath, which will someday come to light.
Novels are not about expressing yourself, they're about something beautiful, funny, clever and organic. Self-expression ? Go and ring a bell in a yard if you want to express yourself.
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