Being taught to despise your body is being taught to perhaps admire someone else's body more than yours - being taught that your body is good for certain things and not for others.
Wangechi MutuRead
I've always loved the idea that you think you know what you're looking at from a distance, yet when you come up close, it gets intricate and nutty and obscene and provocative.
Interpretation
The quote reflects how things appear simple from afar but reveal complexity upon closer inspection.
Wangechi Mutu's quote speaks to the nature of perception and the rich intricacies that lie beneath the surface of what we initially observe. It suggests that our understanding of a subject often deepens and becomes more complicated as we engage with it more closely, turning our initial perceptions into a realization of complexity that can be both shocking and inspiring.
In practice
During an art exhibition, this quote could be used to describe how viewers should approach each piece with an open mind and seek deeper meanings.
Being taught to despise your body is being taught to perhaps admire someone else's body more than yours - being taught that your body is good for certain things and not for others.
Gold and precious gems are, in many places, the one form of wealth a woman can use to protect and enhance herself within the elaborate structure of patriarchy.
The ocean is the source of life. We all come from there. I think about these one-celled creatures, and I think about the planet. It is related to my obsession with biology, even if it's only a layperson's obsession. The way I visualise what's at the bottom of the ocean is very much to do with how I feel when I'm swimming in the sea.
It's a European art form, and you're used to seeing a certain type of person as a ballerina. And I don't look like a lot of the girls around me.
Most people read poetry listening for echoes because the echoes are familiar to them. They wade through it the way a boy wades through water, feeling with his toes for the bottom: The echoes are the bottom.
OPERA, n. A play representing life in another world, whose inhabitants have no speech but song, no motions but gestures and no postures but attitudes.
In my writing, I want to be laid bare as a human being.
Beauty's where you find it; not just where you bump and grind it.
That's the thing about musicians: The priority is to create something new that's never been before. And you put your life on the line every time that you play.
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