Mainstream cinema raises questions only to immediately provide an answer to them, so they can send the spectator home reassured. If we actually had those answers, then society would appear very different from what it is.
Michael HanekeRead
I’ve been accused of ‘raping’ the audience in my films, and I admit to that freely — all movies assault the viewer in one way or another.
Interpretation
The quote discusses the provocative nature of filmmaking and the impact it has on the audience.
Michael Haneke acknowledges that cinema has an intrinsic ability to challenge, disturb, and affect viewers deeply, a process that can be perceived as 'assaulting' their senses or emotions. He emphasizes that this relentless engagement is a fundamental aspect of the medium, insinuating that all films provoke reactions and invite audiences to confront uncomfortable themes and realities.
In practice
Discussing the role of filmmakers in a film studies class.
Mainstream cinema raises questions only to immediately provide an answer to them, so they can send the spectator home reassured. If we actually had those answers, then society would appear very different from what it is.
All movies assault the viewer in one way or another.
An artist is someone who should raise questions rather than give answers. I have no message.
It's the duty of art to ask questions, not to provide answers. And if you want a clearer answer, I'll have to pass.
At its best, film should be like a ski jump. It should give the viewer the option of taking flight, while the act of jumping is left up to him.
When I first envisioned 'Funny Games' in the mid-1990s, it was my intention to have an American audience watch the movie. It is a reaction to a certain American cinema, its violence, its naivety, the way American cinema toys with human beings. In many American films, violence is made consumable.
You have to imagine you write a show about a sponge and you think that maybe a few people will think it is funny, some college students, but it takes off. It is truly shocking - to the point where it is bizarre.
Drag is literally so ancient that it predates modern understanding of gender, of transness, of queerness. Drag predates modern ideas of gender, of theater at all. Drag predates the word 'drag' itself.
It's wonderful to play a villain who gets a laugh or to stop a comedy dead in its tracks with a touching moment. It's kind of like a symphony that has very different movements.
Poetry is not easy. Or should I say, real poetry is not easy.
A writer of fiction is really... a congenital liar who invents from his own knowledge or that of other men.
I wanted to make my stories, which are inspired by Asian stories, into something fresh, decontextualized - to give them new life as a new kind of fantasy that isn't so cloying and exotic and strange.
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