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But I've grown thoughtful now. And you have lost Your early-morning freshness of surprise At being so utterly mine: you've learned to fear The gloomy, stricken places in my soul, And the occasional ghosts that haunt my gaze.
Siegfried Sassoon
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Interpretation

What this quote means

This quote reflects on the evolution of intimacy and understanding in a relationship, where initial freshness gives way to deeper awareness and fears.

In this quote, Siegfried Sassoon captures the poignant shift in a relationship where initial excitement and discovery is replaced with a deeper, more contemplative understanding of each other's complexities. The speaker acknowledges that their partner has moved from a state of innocent surprise and love to one where fears and hidden pains are recognized, indicating a more profound yet challenging connection formed over time.

Themes

RelationshipsIntimacyAwarenessLoveFear

In practice

Example use cases

In a discussion about the complexities of love, one might use this quote to illustrate how relationships deepen over time.

More from Siegfried Sassoon

Let my soul, a shining tree, Silver branches lift towards thee, Where on a hallowed winter's night The clear-eyed angels may alight.
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EVERYONE suddenly burst out singing; And I was filled with such delight As prisoned birds must find in freedom, Winging wildly across the white Orchards and dark-green fields; on—on—and out of sight. Everyone’s voice was suddenly lifted; And beauty came like the setting sun: My heart was shaken with tears; and horror Drifted away ... O, but Everyone Was a bird; and the song was wordless; the singing will never be done.
Siegfried SassoonRead
I am a soldier, convinced that I am acting on behalf of soldiers.
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Soldiers are dreamers; when the guns begin they think of firelit homes, clean beds, and wives.
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The dead...are more real than the living because they are complete.
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For it is humanly certain that most of us remember very little of what we have read. To open almost any book a second time is to be reminded that we had forgotten well-nigh everything that the writer told us. Parting from the narrator and his narrative, we retain only a fading impression; and he, as it were, takes the book away from us and tucks it under his arm.
Siegfried SassoonRead

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