I've made my pact with the Lord for the next lifetime. I would love to be a first-class musician. A super one.
Interpretation
The quote expresses a deep aspiration to excel in music in a future life.
Julie Andrews reflects on her desire to be an exceptional musician in a future incarnation, illustrating a commitment to pursuing oneβs passions and dreams across lifetimes. This sentiment highlights the importance of artistic ambition and the longing to create and connect through music.
In practice
In a speech about following your dreams, this quote beautifully illustrates the importance of pursuing your passions.
I've learned a lot of things about myself through singing. I used to have a certain dislike of the audience, not as individual people, but as a giant body who was judging me. Of course, it wasn`t really them judging me. It was me judging me. Once I got past that fear, it freed me up, not just when I was performing but in other parts of my life.
Singing has been a cherished gift, and my inability to sing has been a devastating blow.
My mother was terribly important to me, and I know how much I yearned for her in my youth, but I don't think I truly trusted her.
I come from a long line of below-stairs maids and gardeners. Good ol' peasant stock. My mother and her sister made a quantum leap out of that life. Then I made another quantum leap.
Every time I go out to perform, believe me. You never lose that fear of, 'I hope I do it right. I hope I don't fall flat on my face. I hope this will be good for them.'
Success is terrifying. Like happiness, it is often appreciated in retrospect. It's only later that you place it in perspective. Years from now, I'll look back and say, βGod, wasn't it wonderful.β
Poetry is not only a set of words which are chosen to relate to each other; it is something which goes much further than that to provide a glimpse of our vision of the world.
What I need to write well is a combination of heat, light and solitude.
Design in art, is a recognition of the relation between various things, various elements in the creative flux. You can't invent a design. You recognize it, in the fourth dimension. That is, with your blood and your bones, as well as with your eyes.
I started under my master, Etienne Decroux, who taught me a new grammar for mime he called statuary mime. This grammar brings style creations. Without it, no art survives.
I have found that all ugly things are made by those who strive to make something beautiful, and that all beautiful things are made by those who strive to make something useful.
There are very few religious experiences that aren't explained using the vocabulary of light.
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