I figured I could do "It's A Man's, Man's, Man's World" because I believe it's the truth.
Etta JamesRead
Jazz took too much discipline. You have to come in at the right place, which is different than me singing the blues, where I can sing, 'Oh, baby,' if there's a pause in the melody. With jazz, you better leave that space open, or put in something real cool.
Interpretation
Jazz requires precision and discipline compared to other forms of music.
Etta James emphasizes the structured nature of jazz music, highlighting that it demands precise timing and skills from musicians. Unlike more freeform styles like the blues, jazz requires a careful consideration of silence and space, along with the addition of cool improvisations to create a compelling performance.
In practice
When discussing the intricacies of music theory in a classroom setting.
I figured I could do "It's A Man's, Man's, Man's World" because I believe it's the truth.
It's not about battling the original artists when I record these songs, it's about paying tribute to them.
I wanna show that gospel, country, blues, rhythm and blues, jazz, rock 'n' roll are all just really one thing. Those are the American music and that is the American culture.
The only time that I am really truly happy—when I feel at my best—is when I'm on the stage.
When I'm singing the blues, I'm singing life.
People always say 'Etta, you know what your problem is? You're neither fish nor fowl. There is no place to rack you.' When I would go in a record shop, you might find one or two records by me in different stacks.
I grew up with the Grand Ole Opry, Dottie West, Conway Twitty, Buck Owens... not realizing it was influencing me as much as it was.
I'm really glad we came up when we did. When we got started, the record companies were concerned with building careers. They made sure you could put on a live show before you put a record out. And if your first album sold 100,000 to 200,000 copies, they were happy, because they figured you had your foot in the door on a way to a long career.
I have been accused of being a very simplistic, very lyrical player, and that's okay. That just comes from the blues, which is my background. But every day you wake up and transcend. You can't ever rest on your laurels.
I've always been obsessed with drums. They fascinate me. Any other instrument - nothing. I play acoustic guitar a bit. But it's always been drums first and foremost. I don't reckon on this Jack-of-all-trades thing. I thing that felling is a lot more important than technique. It's all very well doing a triple paradiddle - but who's going to know you've done it? If you play technically you sound like everybody else. It's being original that counts.
I don't believe people playing rock n' roll should have crowns. We're not kings and queens. Anybody can play it.
It's now taken for granted that women are in bands and you can say feminist things in your songs. But back in the early '90s, there was a lot of violence at Bikini Kill shows that people don't realize happened.
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