I figured I could do "It's A Man's, Man's, Man's World" because I believe it's the truth.
Etta JamesRead
Jazz took too much discipline. You have to come in at the right place, which is different than me singing the blues, where I can sing, 'Oh, baby,' if there's a pause in the melody. With jazz, you better leave that space open, or put in something real cool.
Interpretation
Jazz requires precision and discipline compared to other forms of music.
Etta James emphasizes the structured nature of jazz music, highlighting that it demands precise timing and skills from musicians. Unlike more freeform styles like the blues, jazz requires a careful consideration of silence and space, along with the addition of cool improvisations to create a compelling performance.
In practice
When discussing the intricacies of music theory in a classroom setting.
I figured I could do "It's A Man's, Man's, Man's World" because I believe it's the truth.
It's not about battling the original artists when I record these songs, it's about paying tribute to them.
I wanna show that gospel, country, blues, rhythm and blues, jazz, rock 'n' roll are all just really one thing. Those are the American music and that is the American culture.
The only time that I am really truly happy—when I feel at my best—is when I'm on the stage.
When I'm singing the blues, I'm singing life.
People always say 'Etta, you know what your problem is? You're neither fish nor fowl. There is no place to rack you.' When I would go in a record shop, you might find one or two records by me in different stacks.
Hip-hop kind of absorbed rock in terms of the attitude and the whole point of why rock was important music. Young people felt like rock music was theirs, from Elvis to the Beatles to the Ramones to Nirvana. This was theirs; it wasn't their parents'. I think hip-hop became the musical style that embraces that mentality.
In truth, I became a conductor because deep down I wanted to conduct Brahms's four symphonies and Richard Strauss's tone poems.
I owe very, very much to Mozart; and if one studies, for instance, the way in which I write for string quartet, then one cannot deny that I have learned this directly from Mozart. And I am proud of it!
It wasn't until I hung out with Dead Prez and understood how to make, you know, raps with a message sound cool that I was able to just write "All Falls Down" in 15 minutes.
I think one of the great things about being a musician is that you never stop learning.
I'm not a star. I'll never be a Frank Sinatra or Elvis Presley or a Ray Charles. I'm just an imitator, man. I'm doing a very bad imitation on the bass of Jerry Jemmott, Bernard Odum, Jimmy Fielder, Jimmy Blanton, Igor Stravinsky, Jimi Hendrix, John Coltrane, James Brown, Charlie Parker... the cats, man. I'm just backing up the cats.
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