I mean, every novel's a historical novel anyway. But calling something a historical novel seems to put mittens on it, right? It puts manners on it. And you don't want your novels to be mannered.
Colum MccannRead
The job of the writer is to look at where he is now and make some sort of emotional sense of it, not only for that moment but for years to come.
Interpretation
Writers capture and interpret emotions and experiences to resonate with readers over time.
In this quote, Colum McCann emphasizes the essential role of a writer in understanding and articulating the complexities of their current experiences. A writer is tasked with not only capturing the emotional essence of a moment but also providing insight and meaning that can endure, allowing both the writer and the reader to reflect on those experiences for many years into the future.
In practice
In a speech about the impact of literature on society, this quote can underline the significance of a writer's role.
I mean, every novel's a historical novel anyway. But calling something a historical novel seems to put mittens on it, right? It puts manners on it. And you don't want your novels to be mannered.
Goodness was more difficult than evil. Evil men knew that more than good men. That's why they became evil. That's why it stuck with them. Evil was for those who could never reach the truth. It was a mask for stupidity and lack of love. Even if people laughed at the notion of goodness, if they found it sentimental, or nostalgic, it didn't matter -- it was none of those things, he said, and it had to be fought for.
She takes another long haul, lets the smoke settle in her lungs-- she has heard somewhere that cigarettes are good for grief. One long drag and you forget how to cry. The body too busy dealing with the poison.
It was a silence that heard itself, awful and beautiful.
It struck me that distant cities are designed precisely so you can know where you came from.
And I suddenly think, as I look across the table at him, that these are the days as they will be. This is the future as we see it. The swerve and the static. The confidence and the doubt.
By definition, poetry works with qualities and dynamics that mainstream society is reluctant to face head-on. It's an interesting phenomenon that by necessity, poetry is just below the radar.
I'm enamored with the art world. Anytime you look at anything that's considered artistic, there's a commercial world around it: the ballet, opera, any kind of music. It can't exist without it.
As nearly as possible in the spirit of Matthew Salinger, age one, urging a luncheon companion to accept a cool lima bean, I urge my editor, mentor and (heaven help him) closest friend, William Shawn, genius domus of The New Yorker, lover of the long shot, protector of the unprolific, defender of the hopelessly flamboyant, most unreasonably modest of born great artist-editors to accept this pretty skimpy-looking book.
We're a very expensive group; we break a lot of rules. It's unheard of to combine opera with a rock theme, my dear .
When I started learning the cello, I fell in love with the instrument because it seemed like a voice - my voice.
The barge she sat in, like a burnish'd throne, Burnt on the water.
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