I think the job of writing and literature is to encourage each one of us to believe that we're living in a story.
Interpretation
Writing and literature inspire us to view our lives as stories worth telling.
This quote by Naomi Shihab Nye emphasizes the transformative power of writing and literature. It suggests that through storytelling, individuals can find meaning and connection in their own lives, encouraging them to see their experiences as part of a larger narrative, which can be both empowering and enlightening.
In practice
In a motivational speech to writers at a workshop.
It is really hard to be lonely very long in a world of words. Even if you don't have friends somewhere, you still have language, and it will find you and wrap its little syllables around you and suddenly there will be a story to live in.
I am looking for the human who admits his flaws Who shocks the adversary By being kinder not stronger What would that be like? We don't even know
I love the solitude of reading. I love the deep dive into someone else's story, the delicious ache of a last page.
A boy told me if he roller-skated fast enough his loneliness couldn't catch up to him, the best reason I ever heard for trying to be a champion. What I wonder tonight pedaling hard down King William Street is if it translates to bicycles. A victory! To leave your loneliness panting behind you on some street corner while you float free into a cloud of sudden azaleas, pink petals that have never felt loneliness, no matter how slowly they fell.
I think whenever you love something or somebody it means that you have to extend yourself, you have to grow - get a little larger. You can't stay in your little comfortable - spot.
As a direct line to human feeling, empathic experience, genuine language and detail, poetry is everything that headline news is not. It takes us inside situations, helps us imagine life from more than one perspective, honors imagery and metaphor - those great tools of thought - and deepens our confidence in a meaningful world.
The shapes arranged themselves into words, and the words spelled out a delicious and wonderful phrase: Once upon a time.
Two questions form the foundation of all novels: "What if?" and "What next?" (A third question, "What now?", is one the author asks himself every 10 minutes or so; but it's more a cry than a question.) Every novel begins with the speculative question, What if "X" happened? That's how you start.
There is the myth that writing books for children is easier than writing books for grownups, whereas we know that truly great books for children are works of genius, whether it's 'Alice in Wonderland' or the 'Gruffalo' or 'Northern Lights.' When it's a great book, it's a great book, whether it's for children or not.
We tend to regard history as true and 'The Adventures of Huckleberry Finn' as untrue. That's always puzzled me.
English writing tends to fall into two categories - the big, baggy epic novel or the fairly controlled, tidy novel. For a long time, I was a fan of the big, baggy novel, but there's definitely an advantage to having a little bit more control.
Among contemporaries, I hugely admire Alice Munro, our Chekhov, Saul Bellow, Philip Roth, and John Updike, American masters all. I also believe that the voice of Gordon Lish is astoundingly original and sorrowful.
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