You dance love, and you dance joy, and you dance dreams.
Gene KellyRead
I wanted to invent some kind of American dance that was danced to the music that I grew up on: Cole Porter and Rodgers and Hart and Irving Berlin. So I evolved a style that certainly didn't catch on right away - but I had some good mentors in New York who encouraged me.
Interpretation
Gene Kelly reflects on his desire to create a unique American dance style influenced by his musical upbringing.
This quote captures Gene Kelly's passion for innovation in dance, inspired by the musical legends of his youth. Despite initial challenges in gaining recognition for his distinctive style, he attributes his perseverance and growth to the support of mentors who believed in his vision, highlighting the importance of encouragement in the creative process.
In practice
This quote can inspire young dancers who are trying to find their unique style.
You dance love, and you dance joy, and you dance dreams.
At 14 I discovered girls. At that time dancing was the only way you could put your arm around the girl. Dancing was courtship.
My mother had gotten a job as a receptionist at a dancing school and had the idea that we should open our own dancing school; we did, and it prospered.
Things danced on the screen do not look the way they do on the stage. On the stage, dancing is three-dimensional, but a motion picture is two-dimensional.
There is a strange sort of reasoning in Hollywood that musicals are less worthy of Academy consideration than dramas. It's a form of snobbism, the same sort that perpetuates the idea that drama is more deserving of Awards than comedy.
Oh! Moon of Alabama We now must say good-bye We've lost our good old mama And must have whiskey Oh, you know why!
The art of storytelling is reaching its end because the epic side of truth, wisdom, is dying out.
Writing a short story is like having a short intense affair, whereas writing a novel is like a long rich marriage.
Cinema is consistently making a claim to particular memories, histories, ways of life, identities, and values that always presuppose some notion of difference, community, and the future. Given that films both reflect and shape public culture, they cannot be defined exclusively through a notion of artistic freedom and autonomy that removes them from any form of critical accountability.
Someone once told me that the '…Baby One More Time' video should be me as a superhero fighting a giant robot monster.
Commercial theater, in its agenda to appeal to everybody, is often at the expense of the unique vision of the artist.
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