You wash your hands when you shake a bunch of hands. You have to wash your energy when you're around people. It's hard for me to say self-care is washing, although I think it is. So I made music for self-care. That's what it's for.
India ArieRead
That's the kind of music I want SoulBird to represent: music with intelligence and heart, music that moves people in their souls and their bodies. Music with wings.
Interpretation
The quote expresses a desire for music to be both emotionally impactful and intellectually stimulating.
India Arie's quote emphasizes the importance of depth and emotional resonance in music. She envisions 'SoulBird' as a representation of music that not only entertains but also inspires and uplifts individuals, touching both their hearts and minds, akin to music that lifts the spirit and moves the physical body.
In practice
This quote can be used during a music festival to inspire performers and audiences about the power of music.
You wash your hands when you shake a bunch of hands. You have to wash your energy when you're around people. It's hard for me to say self-care is washing, although I think it is. So I made music for self-care. That's what it's for.
But I have always thought that these tulips must have had names. They were red, and orange and red, and red and orange and yellow, like the ember in a nursery fire of a winter's evening. I remember them.
Cooking is just a vehicle to express yourself, like painting and acting... The reason why we're cooking is not because we want to put something on the plate. It's so much more complex than that.
Conceptual art became the liberating idea that gave the art of the next 40 years its real impetus.
Photography has always reminded me of the second child.. trying to prove itself. The fact that it wasn't really considered an art.. that it was considered a craft.. has trapped almost every serious photographer.
Art, especially the stage, is an area where it is impossible to walk without stumbling.
The first long chapter of my career was almost entirely theater so that, by the time I was 30, 35, I sort of knew who I was as an actor, and I was gradually learning who I was as a human being.
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