I wanted to write the kind of poetry that people read and remembered, that they lived by - the kinds of lines that I carried with me from moment to moment on a given day without even having chosen to.
Interpretation
The quote expresses a desire to create poetry that resonates deeply and becomes part of daily life.
Tracy K. Smith articulates a profound longing to craft poetry that not only captivates readers but also embeds itself into their consciousness, becoming a vital aspect of their daily experiences. She wishes her verses to be so impactful that they are remembered and lived by, suggesting that poetry can serve as a guiding force and a source of inspiration in everyday moments.
In practice
This quote could be used during a spoken word event to emphasize the impact of poetry on everyday life.
We all need poetry. The moments in our lives that are characterized by language that has to do with necessity or the market, or just, you know, things that take us away from the big questions that we have, those are the things that I think urge us to think about what a poem can offer.
I love the sense of looking at the sad, paltry, and yet very familiar spectacle that we must make from moment to moment in our lives, and in our frenzy, as something that's as out there as alien life.
Losing my father made me want to find out if I could come up with a version of God or the afterlife that I could feel like was acceptable now that both my parents are in it.
Prose is something that is persistent in staying in one place long enough to not only zero in on the dramatic effect of something that might have happened, or something that might have been seen, but also in watching how it played out and thinking about the cause and the effect.
A question is a pursuit, an invitation to envision and explore a series of possibilities, to struggle and empathize and doubt and believe. The question moves, whereas our sense of what an answer is can often be static, a stopping point.
I had to say to myself, 'I haven't written enough about blackness, yet it's part of my consciousness and my lived experience.' I had to get over that anxiety of 'I haven't done this before.'
Fiction is a branch of neurology: the scenarios of nerve and blood vessels are the written mythologies of memory and desire.
It is the duty of the younger Negro artist . . . to change through the force of his art that old whispering "I want to be white," hidden in the aspirations of his people, to "Why should I want to be white? I am a Negro - and beautiful!"
I discovered the fun of genre is... you get to explore your fears, and you get to use the metaphor of the genre - whether it's a giant monster or a... 12-year-old vampire. Whatever it is, you can sink something underneath the surface and make a personal film under the guise of great fun romp.
What I mean is that none of my talents had a - what's that great word - rubric. A singer, an actor, a dancer - there was nothing I could really say I was. The writing came much later. And, actually, thank God, because if I had said I'm a singer, I would really have just had one thing to do.
I've never gotten over what they call stagefright. I go through it every show. I'm pretty concerned, I'm pretty much thinking about the show. I never get completely comfortable with it, and I don't let the people around me get comfortable with it, in that I remind them that it's a new crowd out there, it's a new audience, and they haven't seen us before. So it's got to be like the first time we go on.
Writing is very improvisational. It's like trying to fix a broken sewing machine with safety pins and rubber bands. A lot of tinkering.
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