Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
E. M. ForsterRead
The king died and then the queen died is a story. The king died, and then queen died of grief is a plot.
Interpretation
A simple sequence of events can be a story, but when emotions and motivations are involved, it becomes a deeper plot.
E. M. Forster's quote distinguishes between a mere recounting of events (story) and a more nuanced narrative (plot) that engages with the characters' emotions and motivations. The difference lies in the depth of meaning that is conveyed, highlighting how grief can transform a straightforward event into a rich psychological exploration.
In practice
This quote can be used in a writing workshop to discuss the importance of depth in storytelling.
Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
A poem is true if it hangs together. Information points to something else. A poem points to nothing but itself.
One must be fond of people and trust them if one is not to make a mess of life.
Oxford is Oxford: not a mere receptacle for youth, like Cambridge. Perhaps it wants its inmates to love it rather than to love one another.
The fact is we can only love what we know personally. And we cannot know much. In public affairs, in the rebuilding of civilization, something less dramatic and emotional is needed, namely tolerance.
One person with passion is better than forty people merely interested.
I love it when novels contain a broad cast of characters, including queer ones.
A classic,' suggested Anthony, 'is a successful book that has survived the reaction of the next period or generation. Then it's safe, like a style in architecture or furniture. It's acquired a picturesque dignity to take the place of its fashion.
Most crime fiction, no matter how 'hard-boiled' or bloodily forensic, is essentially sentimental, for most crime writers are disappointed romantics.
If a secret history of books could be written, and the author's private thoughts and meanings noted down alongside of his story, how many insipid volumes would become interesting, and dull tales excite the reader!
I write adult fiction, but a good 40 to 50 per cent of my readers are teenagers. I love that if they have to grow up and move past JK Rowling they can move to me. From Jo to Jodi!
All books are either dreams or swords, you can cut, or you can drug, with words.
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