Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
E. M. ForsterRead
The king died and then the queen died is a story. The king died, and then queen died of grief is a plot.
Interpretation
A simple sequence of events can be a story, but when emotions and motivations are involved, it becomes a deeper plot.
E. M. Forster's quote distinguishes between a mere recounting of events (story) and a more nuanced narrative (plot) that engages with the characters' emotions and motivations. The difference lies in the depth of meaning that is conveyed, highlighting how grief can transform a straightforward event into a rich psychological exploration.
In practice
This quote can be used in a writing workshop to discuss the importance of depth in storytelling.
Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
A poem is true if it hangs together. Information points to something else. A poem points to nothing but itself.
One must be fond of people and trust them if one is not to make a mess of life.
Oxford is Oxford: not a mere receptacle for youth, like Cambridge. Perhaps it wants its inmates to love it rather than to love one another.
The fact is we can only love what we know personally. And we cannot know much. In public affairs, in the rebuilding of civilization, something less dramatic and emotional is needed, namely tolerance.
One person with passion is better than forty people merely interested.
The only imaginative prose writer of the slightest value who has appeared among the English-speaking races for some years past.
The problem with most genre fantasy is that it's not nearly fantastic enough. It's escapist, but it can't escape.
In a memoir, your main contract with the reader is to tell the truth, no matter how bizarre.
'No Sweetness Here' is the kind of old-fashioned social realism I have always been drawn to in fiction, and it does what I think all good literature should: It entertains you.
I think often people don't realize the great diversity of Southern writing because in their minds, if you're not from the South, it can seem regional and small, and of course that's not the case at all when you start to read the work.
After I won the Newbery Medal for 'From the Mixed-up Files of Mrs. Basil E. Frankweiler,' children all over the world let me know that they liked books that take them to unusual places where they meet unusual people.
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