I can never drive my car over a bridge without thinking of suicide. I can never look at a lake or an ocean without thinking of suicide.
Charles BukowskiRead
I walk into the kitchen, look at the typer down there on the floor. It's a dirty floor. It's a dirty typer that types dirty stories
Interpretation
This quote reflects the raw reality of life and creativity, symbolizing how art often emerges from imperfect or messy situations.
In this quote, Charles Bukowski uses the imagery of a dirty floor and a dirty typewriter to illustrate the often unglamorous and imperfect nature of the writing process and creativity. It suggests that the act of creating art, such as writing, can be found in the mundane and flawed aspects of life, and that these imperfections can lead to authentic and powerful storytelling.
In practice
During a speech about the creative process, I might say, 'As Bukowski reminds us, our art can come from the messiest parts of life.'
I can never drive my car over a bridge without thinking of suicide. I can never look at a lake or an ocean without thinking of suicide.
when I am feeling low all i have to do is watch my cats and my courage returns
The masses are always wrong...Wisdom is doing everything the crowd does not do. All you do is reverse the totality of their learning and you have the heaven they're looking for.
I'm going to open another vottle. not a vottle, but a bottle. you open it and I'll drink it. and you try to write as much as I did without falling off of your chair.
To experience real agony is something hard to write about, impossible to understand while it grips you; you're frightened out of your wits, canβt sit still, move, or even go decently insane.
I lapsed into my pathetic cut-off period. Often with humans, both good and bad, my senses simply shut off, they get tired, I give up. I am polite. I nod. I pretend to understand because I donβt want anybody to be hurt. That is the one weakness that has lead me into the most trouble. Trying to be kind to others I often get my soul shredded into a kind of spiritual pasta. No matter. My brain shuts off. I listen. I respond. And they are too dumb to know that I am not there.
For me, the 'Three Stoppages' was a first gesture liberating me from the past.
There are so many different narrative traditions across the world, and each of those traditions has evolved dramatically over time. Once I understood that, I felt truly free; I could write and invent the way I wanted to because there never has been only one way to tell a good story.
I was the shadow of the waxwing slain By the false azure in the windowpane; I was the smudge of ashen fluff -and I Lived on, flew on, in the reflected sky. And from the inside, too, I'd duplicate Myself, my lamp, an apple on a plate: Uncurtaining the night, I'd let dark glass Hang all the furniture above the grass, And how delightful when a fall of snow Covered my glimpse of lawn and reached up so As to make chair and bed exactly stand Upon that snow, out in that crystal land!
Happy are the painters, for they shall not be lonely.
There is no rule on how to write. Sometimes it comes easily and perfectly; sometimes it's like drilling rock and then blasting it out with charges.
If you write interesting roles, you get interesting people to play them. If you write roles that are full of nuance and contradiction and have interesting dialog, actors are drawn to that.
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