Civilization is first of all a moral thing. Without truth, respect for duty, love of neighbor, and virtue, everything is destroyed. The morality of a society is alone the basis of civilization.
Henri Frederic AmielRead
Any landscape is a condition of the spirit.
Interpretation
The emotional state of a person is reflected in the landscapes they observe or create.
Henri Frederic Amiel's quote suggests that landscapes are not just physical spaces but also deeply tied to our inner emotions and spiritual conditions. It implies that our perception of nature is influenced by our mood and state of mind, indicating that beauty and our experiences are intertwined with our emotional landscape.
In practice
In an art class to discuss how landscapes can reflect the artist's emotions.
Civilization is first of all a moral thing. Without truth, respect for duty, love of neighbor, and virtue, everything is destroyed. The morality of a society is alone the basis of civilization.
Man never knows what he wants; he aspires to penetrate mysteries and as soon as he has, wants to re-establish them. Ignorance irritates him and knowledge cloys.
Truth is not only violated by falsehood; it may be equally outraged by silence.
True love is that which ennobles the personality, fortifies the heart, and sanctifies the existence.
It is by teaching that we teach ourselves, by relating that we observe, by affirming that we examine, by showing that we look, by writing that we think, by pumping that we draw water into the well.
A man must be able to cut a knot, for everything cannot be untied; he must know how to disengage what is essential from the detail in which it is enwrapped, for everything cannot be equally considered; in a word, he must be able to simplify his duties, his business and his life.
Beauty is a form of Genius--is higher, indeed, than Genius, as it needs no explanation. It is one of the great facts of the world, like sunlight, or springtime, or the reflection in the dark waters of that silver shell we call the moon. It cannot be questioned. It has divine right of sovereignty. It makes princes of those who have it.
I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue.
My work is not about paint. It's about paint at the service of something else. It is not about gooey, chest-beating, macho '50s abstraction that allows paint to sit up on the surface as subject matter about paint.
I'm very glad people love 'Breaking Bad,' but the harder character to write is the good character that's as interesting and as engaging as the bad guy.
No one ever gets talker's block. No one wakes up in the morning, discovers he has nothing to say, and sits quietly, for days or weeks, until the muse hits, until the moment is right, until all the craziness in his life has died down.
Suffice to say that the theme (the WHAT of the movie) is going to determine the style (the HOW of the movie).
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