Is not the most erotic part of the body wherever the clothing affords a glimpse?
As a language, Garbo's singularity was of the order of the concept, that of Audrey Hepburn is of the order of the substance; the face of Garbo is an Idea, that of Hepburn, an Event.
Interpretation
What this quote means
The quote contrasts the artistic essence of two iconic actresses, Garbo and Hepburn, highlighting their differing impacts on film and culture.
In this quote, Roland Barthes distinguishes between the abstract qualities associated with Greta Garbo and the tangible presence of Audrey Hepburn. Garbo represents an idealized, conceptual approach to femininity and mystique, whereas Hepburn embodies a significant moment or event that resonates with audiences. This suggests that Garbo's allure is rooted in an idea or concept, while Hepburn's influence stems from her active engagement in the cinematic world, marking significant moments in film history.
Themes
In practice
Example use cases
In a film studies class discussing the contributions of female icons to cinema.
More from Roland Barthes
All quotes →If I acknowledge my dependency, I do so because for me it is a means of signifying my demand: in the realm of love, futility is not a "weakness" or an "absurdity": it is a strong sign: the more futile, the more it signifies and the more it asserts itself as strength.)
The gesture of the amorous embrace seems to fulfill, for a time, the subject's dream of total union with the loved being: The longing for consummation with the other.
The text is a tissue of quotations drawn from the innumerable centres of culture.
I think that cars today are almost the exact equivalent of the great Gothic cathedrals: I mean the supreme creation of an era, conceived with passion by unknown artists, and consumed in image if not in usage by a whole population which appropriates them as a purely magical object.
All those young photographers who are at work in the world, determined upon the capture of actuality, do not know that they are agents of Death.
Similar quotes
Under Stalin, artists weren't dissidents; all they hoped was to survive and write.
I demand that a film express either the joy of making cinema or the agony of making cinema. I am not at all interested in anything in between.
So much of performing is a mind game. You're memorizing thousands of notes, and if you start thinking about it in the wrong way, everything can blow up in your face.
To my mind, it is the duty of the younger Negro artist, if he accepts any duties at all from outsiders, to change through the force of his art that old whispering 'I want to be white,' hidden in the aspirations of his people, to 'Why should I want to be white? I am a Negro - and beautiful!'
There was a beauty in the trash of the alleys which I had never noticed before; my vision seemed sharpened, rather than impaired. As I walked along it seemed to me that the flattened beer cans and papers and weeds and junk mail had been arranged by the wind into patterns; these patterns, when I scrutinized them, lay distributed so as to comprise a visual language.
There's a kind of despair about whether art can really do anything, but you have to incorporate that despair into the way you work. I try to soak my work in my sense of futility and fury.