I don't do a comic book thinking there is a movie. I just want it to be as good a comic book as it can be.
Frank MillerRead
The larger-than-life thing is definitely what I'm after. I've always drawn dark stories. Occasionally, I'll try a perfect hero, but it's a real stretch for me. I like 'em warts and all, and obsessive and weird.
Interpretation
The quote reflects the author's preference for complex and flawed characters in storytelling.
Frank Miller expresses his artistic inclination towards creating larger-than-life narratives that feature imperfect, deeply flawed characters. He finds more authenticity and richness in stories that explore the darker aspects of humanity, emphasizing that perfection is not only difficult to achieve but may also lack the depth and relatability that flawed characters bring to the narrative.
In practice
This quote can be used during a panel discussion about character development in literature.
I don't do a comic book thinking there is a movie. I just want it to be as good a comic book as it can be.
My feeling is that the hero has now been defined by phrases like the odious one that we were all raised with - crimes does not pay. Of course it pays, you schmuck. That's not why we don't do it. We don't do it because it is wrong.
Hell's waking up every goddamn day and not even knowing why you're here.
As a cartoonist, I'm a caricaturist. First you find out what somebody really looks like, and then you find out what they 'really' look like.
Comic-book pages are vertical, and movie screens are relentlessly horizontal. But it's all the same form. We use different tools, but we get the job done. I'm completely in love with CGI. It's great for conveying a cartoonist's sense of reality.
You can't have virtue without sin. What I'm after is having my characters' virtues defined by how they operate in a very sinful environment. That's how you test people.
What, or who, led you to take up photography, and about what date ?_x000D_ George Bernard Shaw – I always wanted to draw and paint. I had no literary ambition. I aspired to be a Michelangelo, not a Shakespeare. But I could not draw well enough to satisfy myself; and the instruction I could get was worse than useless. So when dry plates and push buttons came into the market I bought a box camera and began pushing the button. It was in 1898.
People err who think my art comes easily to me. I assure you, dear friend, nobody has devoted so much time and thought to compositions as I. There is not a famous master whose music I have not industriously studied through many times.
Jazz comes from our way of life, and because it's our national art form, it helps us to understand who we are.
Translation is a form of passive aggression. In doing it, a writer chooses to forgo original authorship so as to play havoc with a foreign original in a process of imitation, zigzagging between the foreign and receiving languages but in the last analysis cancelling the first in favor of the second.
Audience members are only concerned about the story, the concept, the bells and whistles and the noise that a popular film starts to make even before it's popular. So audiences will not be drawn to the technology; they'll be drawn to the story. And I hope it always remains that way.
Art is the way to the absolute and to the essence of human life. The aim of art is not the one-sided promotion of spirit, soul and senses, but the opening of all human capacities – thought, feeling, will – to the life rhythm of the world of nature. So will the voiceless voice be heard and the self be brought into harmony with it.
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