Well, the way I play, I try not to be a 'repeater pencil', ya dig? Originality's the thing. You can have tone and technique and a lot of other things but without originality you ain't really nowhere. Gotta be original.
Lester YoungRead
[Lee Morgan] was the only young cat that scared me when he played. He had so much fire and natural feeling. I had more technique, but he had that feeling. People seemed to like him more than they like me at the beginning.
Interpretation
The quote expresses the admiration for Lee Morgan's innate talent and emotional depth in jazz music as compared to technical skill.
Freddie Hubbard reflects on his experience with Lee Morgan, emphasizing the impact of Morgan's raw emotional expression and passion in his music. While Hubbard acknowledges his own technical prowess, he recognizes that the audience was drawn to Morgan's heartfelt performance, highlighting the significance of feeling in artistic expression over mere technique.
In practice
Using this quote in a tribute to musicians who inspire others with their emotional performances.
Well, the way I play, I try not to be a 'repeater pencil', ya dig? Originality's the thing. You can have tone and technique and a lot of other things but without originality you ain't really nowhere. Gotta be original.
Painting is not made to decorate apartments. It's an offensive and defensive weapon against the enemy. (about Guernica).
For American filmmakers, the Oscars is like a mystic thing. For me, it was being in a mirror of my dreams when I was dreaming of Hollywood when I was an adolescent.
I feel very lucky to make a living from my imagination; I'm very grateful for that. I like that what I do is create. I'm feeling very lucky to have had the career I had. It's gone much longer and bigger than I ever thought it would be.
An artist's initial broad stroke is always most impactful, and obsessively adding layer upon layer of paint to fill in details often diminishes the painting's aura. When an aura is lost, it is impossible to get back.
Anyone who regards poetry as an entertainment, as a 'read,' commits an anthropological crime, in the first place against himself.
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