You ask for your audience's investment in your music; you're in a relationship with them. And their relationship with the E Street Band is separate from whatever else I might do. I like the idea of us being something that people rely on.

I've never been the straight rapper that is going to stand in a cipher and battle all day. I started off battle rapping, but to me, making songs became more important than freestyles... I've met many rappers who can freestyle but can't make a record.

There's something beautifully friendly and elevating about a bunch of guys playing music together. This wonderful little world that is unassailable. It's really teamwork, one guy supporting the others, and it's all for one purpose, and there's no flies in the ointment, for a while. And nobody conducting, it's all up to you. It's really jazz__that's the big secret. Rock and roll ain't nothing but jazz with a hard backbeat.

It (jazz) isn't like it used to be. The guys aren't together. They're all separated. Individuals now. Bird was a symbol. It was a clique, a clique of people. Who all believed in one thing: gettin' high. And playin'.

I'd like to think that all the old Beatle fans have grown up and they've got married and they've all got kids and they're all more responsible, but they still have a space in their hearts for us.

One thing is that I wasn't getting booked that well, and they had control over who got the awards, they had control over who sold. And they really did not want Willie or me, either one, to have a hit record. They wanted the money, but they didn't want us to be the ones.