Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.
Susan SontagRead
Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a sense of the past.
Interpretation
Photography connects the present moment with the history and experiences that precede it.
Susan Sontag suggests that the act of photography is driven by a deep passion that transcends mere capturing of the present. This passion is intertwined with an awareness of the past, indicating that every photograph reflects not just a moment in time but also the broader historical and emotional contexts that inform that moment.
In practice
During a photography workshop, one might say, 'Remember, each shot you take reflects not only this moment but carries the weight of the history behind it.'
Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.
Gide and I have attained such perfect intellectual communion that I experience the appropriate labor pains for every thought he gives birth to!
Volume depends precisely on the writer's having been able to sit in a room every day, year after year, alone.
In NY sensuality completely turns into sexuality - no objects for the senses to respond to, no beautiful river, houses, people. Awful smells of the street, and dirt... Nothing except eating, if that, and the frenzy of the bed.
It hurts to love. It's like giving yourself to be flayed and knowing that at any moment the other person may just walk off with your skin.
Conventions vs. spontaneity. This is a dialectical choice, it depends on the assessment you make of your own times. If you judge that your own time is ridden with empty insincere formalities, you plump for spontaneity, for indecorous behavior even...Much of morality is the task of compensating for one's age. One assumes unfashionable virtues, in an indecorous time. In a time hollowed out by decorum, one must school oneself in spontaneity.
I tend to think of the act of photographing, generally speaking, as an adventure. My favorite thing is to go where Iβve never been.
Nothing matters but the writing. There has been nothing else worthwhile... a stain upon the silence.
I don't play long parts. They must be short parts, but they've got to be parts that mean something, that matter, where people will notice when I'm on the screen, and people will remember the character after they've seen the film.
Shh. Listen to the sounds that surround you. Notice the pitches, the volume, the timbre, the many lines of counterpoint. As light taught Monet to paint, the earth may be teaching you music.
Any landscape is a condition of the spirit.
You cut up a thing that's alive and beautiful to find out how it's alive and why it's beautiful, and before you know it, it's neither of those things, and you're standing there with blood on your face and tears in your sight and only the terrible ache of guilt to show for it.
Subscribe for the occasional hand-picked quote. No noise.