The difference between a builder and an architect is that an architect also cares about desire, about dreams.
Renzo PianoRead
I don't like the idea that the first preparation when you start to design your building has to put your label. I think this is not fair. It's not fair to the building or to the people, to the client, because every building tells a different story.
Interpretation
Buildings have unique stories and should not be confined to a single label or identity.
Renzo Piano expresses a sentiment that every building is distinctive and has its own narrative, which should not be limited or defined by a singular label or expectation. He argues that this labeling is unfair both to the architectural design and to the individuals who interact with it, as it reduces the potential richness of a building's story and significance.
In practice
In a speech about architectural identity, one could use this quote to emphasize the importance of understanding a building's individual story.
The difference between a builder and an architect is that an architect also cares about desire, about dreams.
You have to accept as an architect to be exposed to criticism. Architecture should not rely on full harmony.
There is something about giving everything to your profession. In Italian, an obsession is not necessarily negative. It's the art of putting all your energy into one thing; it's the art of transforming even what you eat for lunch into architecture.
I came to architecture from building. Because my father was a builder, everybody was - and is - a builder in my family.
When you design a building, you start from a general philosophy, and you come down, and you start from detail and come up. Only the theoretical architect believes that you can make the concept and then sometime, somebody will come to build it.
In architecture you should live for 150 years, because you have to learn in the first 75 years.
If you're performing music that is not who you are or where you're at, it is painful. It's painful for the performer and for the audience.
Painting what I experience, translating what I feel, is like a great liberation. But it is also work, self-examination, consciousness, criticism, struggle.
Fool," said my muse to me. "Look in thy heart and write.
It's just someone has labelled us as having a different label to do what you do. I find that labels are the worst thing in the world for artistic expression.
Storytelling was a way to see the world bigger than the one you were looking at, and that had great appeal for me. I think, since that was part of my upbringing, it became part of me, and I wanted to pass it along to my kids and my grandkids.
Each character I play has different dimensions. I'm not interested in words that pull them together.
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