One of the great things about books is you can afford to do anything.
George R. R. MartinRead
It's like these ideas, these characters, kind of bubble up inside me, and one day they're not there, and the next day they are there. They're alive, and they're whispering in my head and all that stuff, and I want to write about those things.
Interpretation
Creativity emerges from within, often unexpectedly, compelling the creator to express those ideas.
In this quote, George R. R. Martin describes the spontaneous nature of creativity, suggesting that ideas and characters can emerge seemingly out of nowhere. This process is portrayed as a dynamic interplay between the creator's mind and the imaginative forces that inspire them, highlighting the essence of artistic expression and the importance of bringing these thoughts to life through writing.
In practice
A writer can use this quote to explain the intuitive nature of their creative process during a workshop.
One of the great things about books is you can afford to do anything.
I hate outlines. I have a broad sense of where the story is going; I know the end, I know the end of the principal characters, and I know the major turning points and events from the books, the climaxes for each book, but I don't necessarily know each twist and turn along the way. That's something I discover in the course of writing and that's what makes writing enjoyable. I think if I outlined comprehensively and stuck to the outline the actual writing would be boring.
There is only one god and his name is Death. And there is only one thing we say to Death: “Not today.
I did not do it. Yet now I wish I had.’ He turned to face the hall, that sea of pale faces. ‘I wish I had enough poison for you all. You make me sorry that I am not the monster you would have me be, yet there it is. I am innocent, but I will get no justice here.
But a voice inside her whispered, There are no heroes, and she remembered what Lord Petyr had said to her, here in this very hall. 'Life is not a song, sweetling,' he'd told her, 'You may learn that one day to your sorrow.' In life, the monsters win, she told herself.
I write from this tight third-person viewpoint, where each chapter is seen through the eyes of one individual character. When I'm writing that character, I become that character and identify with that character.
A star on a movie set is like a time bomb. That bomb has got to be defused so people can approach it without fear.
Form is, in a way, death. A novelist's obligation is to break free from the form, even though he knows that this will also be seen as artificial and distanced from life.
You can write any time people will leave you alone and not interrupt you. Or rather you can if you will be ruthless enough about it. But the best writing is certainly when you are in love.
The poem is sad because it wants to be yours, and cannot be.
Math and music are intimately related. Not necessarily on a conscious level, but sure.
People from a planet without flowers would think we must be mad with joy the whole time to have such things about us.
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