When I was growing up, I felt like I had to qualify it and say I'm British-Pakistani. But now I kind of feel like, in this day in age, this is what British looks like. It looks like me; it looks like Idris Elba, and hopefully through Nasir Khan, people will see that that's what an American can look like as well.
Interpretation
This quote reflects the evolving identity of what it means to be British in a multicultural society.
Riz Ahmed expresses how his perspective on identity has shifted over time. Initially feeling the need to categorize himself as British-Pakistani, he now embraces a broader conception of British identity that includes diverse representations, such as himself and others in the public eye. His statement highlights the changing narratives around national identity, particularly in multicultural societies, where people of different backgrounds can embody what it means to belong.
In practice
This quote could be used in a speech about multiculturalism at a community event.
I get good references from a wide range of music. Something who's been a good influence in the last few years is Qawwali music. If you listen to a Qawwali singer like Aziz Mian - he's like James Brown. Qawwali is like Pakistani gospel-jazz. It's emotional, but it's also improvised, and it's all about that sacred-and-profane tightrope.
No one's of Pakistani origin in any British show. That's why every actor of color is here working in the States. It's true.
Rehearsing a scene beds a role into you. But sometimes, if you over-rehearse it without unearthing any new meaning in it, you can suddenly forget your lines. You realise that you are on a stage, not in the real world. The scene's emotional power, and your immersion in it, disappears.
Being South Asian in the U.K. is like being Latino in the U.S., I would guess. It's a bit more hood. You see things; things happen. I was bouncing between worlds. You're acting from a very early age, when you have to code-switch like that. I'm a hybrid, a mongrel. I think many people live that life.
As a minority, no sooner do you learn to polish and cherish one chip on your shoulder than it's taken off you and swapped for another. The jewellery of your struggles is forever on loan, like the Koh-i-Noor diamond in the crown jewels.
I'm an actor. Since I was a teenager, I have had to play different characters, negotiating the cultural expectations of a Pakistani family, Brit-Asian rudeboy culture, and a scholarship to private school. The fluidity of my own personal identity on any given day was further compounded by the changing labels assigned to Asians in general.
Inequality, climate change, and conflict are evicting millions from their homes. But these perils are being met with 'anti-answers' such as nationalism, closed borders, lies, and hatred.
The passage of time has not altered the capacity of the Redeemer to change lives.
Denying women the right to drive has imposed huge costs on Saudi citizens.
If we do nothing, we still get to a post-carbon future, but it will be bleak. However, if we plan the transition, we can have a world that supports robust communities of healthy, creative people and ecosystems with millions of other species.
Here in Georgia, we continue to grapple with our own vestiges of hate. The image carved into Stone Mountain, like Confederate monuments across this state, stand as constant reminders of racism, intolerance, and division.
It is a revolution that came to power with its own army and on the ruins of the army of oppression.
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