I began writing when I was still in the British Foreign Service, and it was then understood that even if you wrote about butterfly collecting, you used another name.
John Le CarreRead
I don't know the literary world; I was scared of being confronted with famous names, not knowing what they had written. It was occupied territory I was entering.
Interpretation
The author expresses fear and apprehension about entering the literary world, feeling intimidated by established writers.
In this quote, John Le Carre captures the anxiety that can accompany the pursuit of a creative career, particularly in literature. The fear of inadequacy when faced with the works and reputations of well-known authors can make the literary landscape seem daunting and off-limits, referred to here as 'occupied territory'. This sentiment resonates with many aspiring writers who may feel overwhelmed by the legacies of those who came before them.
In practice
Using this quote in a discussion about the challenges faced by new writers at a literary conference.
I began writing when I was still in the British Foreign Service, and it was then understood that even if you wrote about butterfly collecting, you used another name.
In every war zone that I've been in, there has been a reality and then there has been the public perception of why the war was being fought. In every crisis, the issues have been far more complex than the public has been allowed to know.
The cat sat on the mat is not a story. The cat sat on the other cat’s mat is a story.
The monsters of our childhood do not fade away, neither are they ever wholly monstrous.
Coming home from very lonely places, all of us go a little mad: whether from great personal success, or just an all-night drive, we are the sole survivors of a world no one else has ever seen.
If I had to put a name to it, I would wish that all my books were entertainments. I think the first thing you've got to do is grab the reader by the ear, and make him sit down and listen. Make him laugh, make him feel. We all want to be entertained at a very high level.
...in other words, all I want to be is the Jane Austen of south Alabama Interview - March 1964
The love of literature, of language, of the mystery of the mind and heart showing themselves in the minute, strange, and unexpected combinations of letters and words, in the blackest and coldest print—the love which he had hidden as if it were illicit and dangerous, he began to display, tentatively at first, and then boldly, and then proudly.
All the world knows me in my book, and my book in me.
Writing prejudicial, off-putting reviews is a precise exercise in applied black magic. The reviewer can draw free-floating disagreeable associations to a book by implying that the book is completely unimportant without saying exactly why, and carefully avoiding any clear images that could capture the reader's full attention.
Sometimes, there can be a slightly condescending assumption that anything unlikable about a female character is a mistake, as if they're a contestant in a beauty pageant and have to seem charming and upbeat all the time.
He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. . . . He was naturally learn'd; he needed not the spectacles of books to read Nature; he looked inwards, and found her there. . . . He is many times flat, insipid; his comic wit degenerating in to clenches, his serious swelling into bombast. But he is always great, when some occasion is presented to him.
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