Reality is a prison, where one vegetates and always will. All the rest - thought, action - is just a pastime, mental or physical. What counts then, is to come to grips with reality. The rest can go.
Cesare PaveseRead
Literature is a defense against the attacks of life. It says to life: You can't deceive me. I know your habits, foresee and enjoy watching all your reactions, and steal your secret by involving you in cunning obstructions that halt your normal flow.
Interpretation
Literature helps individuals understand and cope with life's challenges by revealing its true nature.
In this quote by Cesare Pavese, literature is portrayed as a protective shield against the difficulties of life, allowing individuals to recognize the complexities and patterns of existence. Through reading and engaging with literature, one gains insight into the deceptions and struggles of life, ultimately equipping themselves to better handle reality and its myriad challenges.
In practice
In a discussion on the importance of literature in education, this quote can emphasize its role in understanding life's complexities.
Reality is a prison, where one vegetates and always will. All the rest - thought, action - is just a pastime, mental or physical. What counts then, is to come to grips with reality. The rest can go.
Waiting is still an occupation. It is having nothing to wait for that is terrible.
Dawn's faint breath breathes with your mouth at the ends of empty streets. Gray light your eyes, sweet drops of dawn on dark hills. Your steps and breath like the wind of dawn smother houses. The city shudders, Stones exhale— you are life, an awakening. Star lost in the light of dawn, trill of the breeze, warmth, breath— the night is done. You are light and morning.
There is mercy for everyone, except those who are bored with life.
One does not kill oneself for love of a woman, but because love - any love - reveals us in our nakedness, our misery, our vulnerability, our nothingness.
The cadence of suffering has begun. Every evening at dusk, my heart constricts until night has come.
I think that most of us, anyway, read these stories that we know are not "true" because we're hungry for another kind of truth: the mythic truth about human nature in general, the particular truth about those life-communities that define our own identity, and the most specific truth of all: our own self-story. Fiction, because it is not about someone who lived in the real world, always has the possibility of being about oneself. --From the Introduction
We need the books that affect us like a disaster, that grieve us deeply, like the death of someone we loved more than ourselves, like being banished into forests far from everyone, like a suicide. A book must be the axe for the frozen sea inside us.
Is 'The Wind in the Willows' a children's book? Is 'Alice in Wonderland?' Is 'Treasure Island?' These are masterpieces which we read with pleasure as children, but with how much more pleasure when we are grown-up.
Anyone who has the temerity to write about Jane Austen is aware of [two] facts: first, that of all great writers she is the most difficult to catch in the act of greatness; second, that there are twenty-five elderly gentlemen living in the neighbourhood of London who resent any slight upon her genius as if it were an insult to the chastity of their aunts.
Walter Scott has no business to write novels, especially good ones. It is not fair. He has fame and profit enough as a poet, and should not be taking the bread out of the mouths of other people.
But I too hate long books: the better, the worse. If they're bad they merely make me pant with the effort of holding them up for a few minutes. But if they're good, I turn into a social moron for days, refusing to go out of my room, scowling and growling at interruptions, ignoring weddings and funerals, and making enemies out of friends. I still bear the scars of Middlemarch.
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