Two children of same cruel parent look at one another and see in each other the image of the cruel parent or the image of their past oppressor. This is very much the case between Jew and Arab: It's a conflict between two victims.
Amos OzRead
When I was little, my ambition was to grow up to be a book. Not a writer. People can be killed like ants. Writers are not hard to kill either. But not books: however systematically you try to destroy them, there is always a chance that a copy will survive and continue to enjoy a shelf-life in some corner on an out-of-the-way library somehwere in Reykjavik, Valladolid or Vancouver.
Interpretation
The quote expresses a desire for permanence and the enduring power of books over human life.
Amos Oz reflects on his childhood ambition to become a book rather than a writer, highlighting the ephemeral nature of human life in contrast to the lasting impact of literature. He suggests that while writers and people can vanish easily, books have the unique ability to survive destruction and provide knowledge and enjoyment across time and place, ultimately leaving a trace in the world.
In practice
During a book fair, one could quote this to highlight the significance of preserving literature.
Two children of same cruel parent look at one another and see in each other the image of the cruel parent or the image of their past oppressor. This is very much the case between Jew and Arab: It's a conflict between two victims.
If we don't stop somewhere, if we don't accept an unhappy compromise, unhappy for both sides, if we don't learn how to unhappily coexist and contain our burned sense of injustice - if we don't learn how to do that, we end up in a doomed state.
Fundamentalist s live life with an exclamation point. I prefer to live my life with a question mark.
Writing a poem is like having an affair, a one-night stand; a short story is a romance, a relationship; a novel is a marriage-one has to be cunning, devise compromises, and make sacrifices.
I have seen for the first time in 100 years of conflict, the two peoples - the Israeli people and the Palestinian people - are ahead of their leaderships.
She had not wanted him to but had let him have his way because ever since she was a child she had generally yielded before anyone with strong willpower, especially if it was a man, not because she was naturally submissive, but because strong male willpower gave her a feeling of safety and trust, together with acceptance and a desire to give in.
The wonderful thing about theater is that it has so many people involved in the creation of it. The worst thing about theater is that it has so many people involved in the creation of it. That dynamic is thrilling and challenging every time you make a show.
White, older showrunners told me, 'Why do you want to hire an all-Latinx writers room? Hire who's best for the show - don't get caught up in that.' And I was like, 'No.' For such an intimate show about the details of a culture? You can't fake that. The room needs to reflect the makeup of the show.
I try to remember that the job - as well as the plight, and the unexpected joy - of the artist is to embrace uncertainty, to be sharpened and honed by it.
Every photograph is a certificate of presence.
Originality is the fine art of remembering what you hear but forgetting where you heard it.
At the very least, noir offers an alternate reality - moments of real passion, a bleak code of honor, and a need for freedom amid corruption. At its best, noir offers a map of subversion.
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