The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you’ve seen.
Pauline KaelRead
I see little of more importance to the future of our country and of civilization than full recognition of the place of the artist. If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him.
Interpretation
The quote emphasizes the crucial role of artists in shaping culture and the importance of allowing them creative freedom.
Pauline Kael's quote highlights the significant impact that artists have on society and the future of civilization. She argues that for art to thrive and contribute meaningfully to culture, society must grant artists the freedom to express their visions without constraint, as this creative freedom is essential for the nourishment of cultural roots and the advancement of collective consciousness.
In practice
During a speech on the significance of culture, one might quote this to emphasize the importance of supporting artists.
The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you’ve seen.
We read critics for the perceptions, for what they tell us that we didn't fully grasp when we saw the work. The judgments we can usually make for ourselves.
The worst thing about movie-making is that it's like life: nobody can go back to correct the mistakes.
It seems likely that many of the young who don't wait for others to call them artists, but simply announce that they are, don't have the patience to make art.
Imagining [The Wizard of Oz] without Judy Garland is a bit like dancing on wet cement: you can do it, but why would you want to?
What this generation was bred to at television's knees was not wisdom, but cynicism.
I think the way to be a writer is to experience things, certainly, and be open to things, but at some point to become dedicated to the craft of writing and to create a stable environment for that writing to occur in.
Basically there can be no categories such as 'religious' art and 'secular' art, because all true art is incarnational, and therefore 'religious.
I slowly dismantled the act of painting, to consider the possibility that no-thing ever really transcends its immediate environment.
Drag breaks the fourth wall, which is why it's never been quite accepted, because nobody wants to be told that they are really a caricature of themself and to not take yourself too seriously.
All they want to do is tie the poem to a chair with a rope and torture a confession out of it. They begin beating it with a hose to find out what it really means.
I had a funny feeling as I saw the house disappear, as though I had written a poem and it was very good and I had lost it and would never remember it again.
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