Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
E. M. ForsterRead
Long books, when read, are usually overpraised, because the reader wishes to convince others and himself that he has not wasted his time.
Interpretation
Long books are often overly praised by readers who want to justify their investment of time.
E. M. Forster highlights a common phenomenon where readers feel compelled to claim that long books are valuable, primarily because they have invested significant time into reading them. This suggests a desire for validation, both from others and from themselves, to affirm that the time spent was not a waste, even if the content may not truly deserve such praise.
In practice
This quote could be used in a book club to discuss the merits of lengthy novels.
Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
A poem is true if it hangs together. Information points to something else. A poem points to nothing but itself.
One must be fond of people and trust them if one is not to make a mess of life.
Oxford is Oxford: not a mere receptacle for youth, like Cambridge. Perhaps it wants its inmates to love it rather than to love one another.
The fact is we can only love what we know personally. And we cannot know much. In public affairs, in the rebuilding of civilization, something less dramatic and emotional is needed, namely tolerance.
One person with passion is better than forty people merely interested.
For me, life without literature is inconceivable. I think that Don Quixote in a physical sense never existed, but Don Quixote exists more than anybody who existed in 1605. Much more. There's nobody who can compete with Don Quixote or with Hamlet. So in the end we have the reality of the book as the reality of the world and the reality of history.
At least half the mystery novels published violate the law that the solution, once revealed, must seem to be inevitable.
A bookβ¦ itβs a world all on its own too. A world made of words, where you live for a while.
I'm aware that many of my friends will be saddened and shocked, or shock-saddened, over some of the chapters in 'The Catcher In the Rye.' Some of my best friends are children. In fact, all my best friends are children. It's almost unbearable for me to realize that my book will be kept on a shelf out of their reach.
Nobody reads a mystery to get to the middle. They read it to get to the end. If it's a letdown, they won't buy anymore. The first page sells that book. The last page sells your next book.
Nobody ever asks me why my characters don't text each other. Besides, as soon as you put something 'electronic' in a book, it's already out of date by the time it's published: everything will have changed. Human emotion, on the other hand, will never change.
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