Every book is three books, after all; the one the writer intended, the one the reader expected, and the one that casts its shadow when the first two meet by moonlight.
John M. FordRead
I long for the simplicity of theatre. I want lessons learned, comeuppances delivered, people sorted out, all before your bladder gets distractingly full. That's what I want. What I know is what we all know, whether we'll admit it or not: every attempt to impose the roundness of a well-made play on reality produces a disaster. Life just isn't so, nor will it be made so.
Interpretation
The quote reflects a desire for the simplicity and clarity of theatre, contrasting it with the chaos and complexity of real life.
John M. Ford expresses a longing for the straightforward narratives found in theatre, where conflicts are resolved and lessons are learned quickly. However, he recognizes that real life is far more complicated than fiction, and attempts to impose such simplicity on the chaotic nature of reality are bound to fail, leading to disaster.
In practice
In a discussion about storytelling techniques, this quote can emphasize the difference between theatre and real-world experiences.
Every book is three books, after all; the one the writer intended, the one the reader expected, and the one that casts its shadow when the first two meet by moonlight.
So utterly at variance is Destiny with all the little plans of men.
It seems not more reasonable to leave the right of printing unrestrained, because writers may be afterwards censured, than it would be to sleep with doors unbolted, because by our laws we can hang a thief.
I dread our own power, and our own ambition; I dread our being too much dreaded... We may say that we shall not abuse this astonishing, and hitherto unheard-of-power. But every other nation will think we shall abuse it. It is impossible but that, sooner or later, this state of things must produce a combination against us which may end in our ruin.
Philosophers play with the word, like a child with a doll.... It does not mean that everything in life is relative.
Every one of us has a bad conscience, which he tries to escape by going to sleep as quickly as possible.
Vonnegut could not help looking back, despite the danger of being turned metaphorically into a pillar of salt, into am emblem of the death that comes to those who cannot let go of the past
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