I'm really glad I didn't have kids earlier, because I probably would have ignored them. I was so into my career. I could just go and play a ton of shows, night after night after night. I can't do that anymore.
Bob SegerRead
For a long time, I thought when you do a box set, you're giving up; you're saying, 'OK, I don't have anything left.' But now I've listened to some of the old stuff I haven't heard in 20 to 40 years with fresh ears. It's like, 'Oh yeah, I can see where people might want to to hear some of this stuff that didn't make it onto the records.'
Interpretation
What this quote means
The quote reflects on the value of revisiting past works and recognizing their significance.
Bob Seger shares his evolving perspective on creating a box set, initially viewing it as a sign of running out of new ideas. Upon revisiting his older music, he realizes that these forgotten tracks have value and resonance, suggesting that revisiting the past can reveal treasures that still hold meaning and can be appreciated by listeners.
Themes
MusicReflectionNostalgiaCreativityRevisit
In practice
Example use cases
In a speech at a music festival, a songwriter might share this quote to emphasize the importance of reflecting on one's artistic journey.
More from Bob Seger
All quotes βI write a lot of songs people don't hear. I really just enjoy the process. I finish 'em all. I don't think there's a whole lot of difference between the bad ones and the good ones.
Bob SegerRead
It took me a long time to learn how to write a good song.
Bob SegerRead
Similar quotes
It is all very well to copy what one sees, but it is far better to draw what one now only sees in one's memory. That is a transformation in which imagination collaborates with memory.
Edgar DegasRead
IN CINEMA IT IS NECESSARY NOT TO EXPLAIN, BUT TO ACT UPON THE VIEWER'S FEELINGS, AND THE EMOTION WHICH IS AWOKEN IS WHAT PROVOKES THOUGHT.
Andrei TarkovskyRead
I don't begin a novel or a screenplay until I know the ending. And I don't mean only that I have to know what happens. I mean that I have to hear the actual sentences. I have to know what atmosphere the words convey.
John IrvingRead
Acutely aware of the poverty of my means, language became obstacle. At every page I thought, 'That's not it.' So I began again with other verbs and other images. No, that wasn't it either. But what exactly was that it I was searching for? It must have been all that eludes us, hidden behind a veil so as not to be stolen, usurped and trivialized. Words seemed weak and pale.
Elie WieselRead
In the marginalia ... we talk only to ourselves; we therefore talk freshly - boldly - originally - with abandonment - without conceit.
Edgar Allan PoeRead
An artist must be free to choose what he does, certainly, but he must also never be afraid to do what he might choose.
Langston HughesRead