For a long time I wasn't listening to music, to the rock and roll stuff on the radio, because it would cause me to get sweaty. It would bring back memories I didn't want to know about, or I would get that feeling that I'm not alive 'cause I'm not making it. And if it was good, I hated it 'cause I wasn't doing it. And if it was bad, I was furious 'cause I could've done it better.
Interpretation
The quote expresses the conflict between one's own creative aspirations and the emotional impact of music.
John Lennon reflects on the powerful emotional connection to music and how it can trigger memories and feelings, leading to a sense of inadequacy and frustration when he isn't actively creating. He reveals a complex relationship with music where its impact is both inspiring and painful, highlighting the struggle for artistic expression.
In practice
During a motivational talk about creativity, this quote could inspire artists to overcome their fears related to their art.
When I get older losing my hair many years from now. Will you still be sending me a Valentine. Birthday greetings, bottle of wine? If I'd been out till quarter to three would you lock the door? Will you still need me, will you still feed me, When I'm sixty-four?
The writing of the Beatles, or John and Paul's contribution to the Beatles in the late sixties - had a kind of depth to it, a more mature, more intellectual approach. We were different people, we were older. We knew each other in all kinds of different ways than when we wrote together as teenagers and in our older twenties.
I put things down on sheets of paper and stuff them in my pockets. When I have enough, I have a book.
Guilt for being rich, and guilt thinking that perhaps love and peace isn't enough and you have to go and get shot or something.
I regret profoundly that I was not an American and not born in Greenwich Village. It might be dying, and there might be a lot of dirt in the air you breathe, but this is where it's happening.
I've been baking bread and looking after the baby...Everyone else who has asked me that question over the last few years says. 'But what else have you been doing?' To which I say, 'Are you kidding?' Because bread and babies, as every housewife knows, is a full-time job. After I made the loaves [of bread,] I felt like I had conquered something. But as I watched the bread being eaten, I thought, Well, Jesus, don't I get a gold record or knighted or nothing?
It was an extraordinary connection, the synergy within the band. There was an area of ESP between Robert Plant, John Paul Jones, John Bonham, and myself.
Since I was two years old, all I knew was gospel music. That music became such a part of my life it was as natural as dancing. A way to escape from the problems. And my way of release.
I think, for one thing, all of us remember those teenage years and those songs that we fell in love with and the music scene that we were part of. So, in a certain way, music cuts through time like almost nothing else. You know, it makes us feel like we're back in an earlier moment.
People have been brainwashed into believing that it's got to be down or it wouldn't be blues. But it's not so. It's got to be a fact or it wouldn't be blues.
The whole of life itself expresses the blues. That's why I always say the blues are the true facts of life expressed in words and song, inspiration, feeling and understanding. The blues can be about anything pertaining to the facts of life. The blues call on God as much as a spiritual song do.
The blues will always be because the blues are the roots of all American music.
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