Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
Oscar WildeRead
Lord Illingworth told me this morning that there was an orchid there as beautiful as the seven deadly sins.
Interpretation
This quote compares the beauty of an orchid to the allure of the seven deadly sins.
Oscar Wilde's quote reflects on the paradox of beauty and temptation. By comparing the orchid's beauty to the seven deadly sins, he suggests that what is beautiful can also be morally questionable or alluring in a way that entices one towards indulgence and excess.
In practice
This quote can be used in a discussion about the nature of beauty in art and literature.
Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
London is too full of fogs and serious people. Whether the fogs produce the serious people, or whether the serious people produce the fogs, I don't know.
When one has never heard a man's name in the course of one's life, it speaks volumes for him; he must be quite respectable.
Men always want to be a woman's first love - women like to be a man's last romance.
A truth ceases to be true when more than one person believes in it.
His morality is all sympathy, just what morality should be
Camus says in 'The Stranger' that reason is the enemy of imagination. Sometimes you have to put reason aside and make something beautiful.
That is the mystery about writing: it comes out of afflictions, out of the gouged times, when the heart is cut open.
It's a two-dimensional gig being a singer, and you can get lost in your own tedium and repetition.
Writing begins in the body, it is the music of the body, and even if the words have meaning, can sometimes have meaning, the music of the words is where the meanings begin....Writing as a lesser form of dance.
I realised I had spent the majority of my adult life doing two characters - Maude from 1972-'79 and Dorothy from 1985-'92 - and I really didn't know what I wanted to do after 'Golden Girls.' I knew what I didn't want to do - any more sitcoms, or wait for the next great role that might never come.
Generally, we use light to illuminate other things. I like the thingness, the materiality of light itself. So it feels like it's occupying the space, making a plane, being something that was there, not just passing through. Because light is just passing through. I make these spaces that seem to arrest it for our perception.
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