I really do live for the future, because when I'm eating a box of candy, I can't wait to taste the last piece.
Andy WarholRead
I love Los Angeles. I love Hollywood. They're beautiful. Everybody's plastic, but I love plastic. I want to be plastic.
Interpretation
The quote expresses a complex love for the artificiality and glamour of Hollywood and Los Angeles.
Andy Warhol's quote reflects his fascination with the superficial beauty of Los Angeles and Hollywood, where the allure of fame and plasticity coexist. He acknowledges the artificial nature of the culture, yet he embraces it, indicating a deeper commentary on the relationship between art, identity, and societal expectations in a world that often values the surface over substance.
In practice
In a discussion about the nature of fame in modern culture, this quote by Andy Warhol could illustrate the paradox of pursuing superficial beauty.
I really do live for the future, because when I'm eating a box of candy, I can't wait to taste the last piece.
Fantasy love is much better than reality love. Never doing it is very exciting. The most exciting attractions are between two opposites that never meet.
Being good in business is the most fascinating kind of art
I never wanted to be a painter; I wanted to be a tap dancer.
I like to be the right thing in the wrong space and the wrong thing in the right space. But usually being the right thing in the wrong space and the wrong thing in the right space is worth it, because something funny always happens.
I love it when you ask actors, 'What are you Doing now?' and they say 'I'm between roles'. To be living 'life between roles' that's my favorite
There is nothing settled about a poet's identity. The becoming doesn't stop because the being has been achieved. They proceed together, attached in ways that are hard to be exact about.
When you have committed enough words to paper, you feel you have a spine stiff enough to stand up in the wind. But when you stop writing, you find that's all you are - a spine, a row of rattling vertebrae, dried out like an old quill pen.
Without the faintest possibility of finding a job, I decided to devote myself to literature: it was about time to find out what I was worth as a writer.
All I care about these days is painting — photography has never been more than a way into painting, a sort of instant drawing.
The mission of photography is to explain man to man and each to himself. And that is the most complicated thing on earth.
You can’t, if you can’t feel it, if it never Rises from the soul, and sways The heart of every single hearer, With deepest power, in simple ways. You’ll sit forever, gluing things together, Cooking up a stew from other’s scraps, Blowing on a miserable fire, Made from your heap of dying ash. Let apes and children praise your art, If their admiration’s to your taste, But you’ll never speak from heart to heart, Unless it rises up from your heart’s space.
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