In comparison to other women in the world, perhaps I'm seen as smaller. But I've never had a problem thinking of myself as a large woman.
Frances McdormandRead
We don't need a lot of initiatives for women in film; what we need is money.
Interpretation
Access to financial resources is essential for empowering women in the film industry.
Frances McDormand's quote emphasizes that rather than just initiatives or programs aimed at promoting women in film, the critical need is for financial investment. Without adequate funding, women are often unable to create, produce, and showcase their work in film, highlighting the importance of economic support in achieving gender equality in the industry.
In practice
This quote could be used in a presentation advocating for gender parity in the film industry.
In comparison to other women in the world, perhaps I'm seen as smaller. But I've never had a problem thinking of myself as a large woman.
It's a scary thing going into the workforce with a $50,000 debt and you've been trained as a classical theatre actor. There's always a depression in the theatre.
That's another great thing about getting older. Your life is written on your face.
There's only two givens with choosing acting as a profession: one is you will always be unemployed, always, and it doesn't matter how much money you make, you're still always going to be unemployed; and that you have no power.
Female characters in literature are full. They're messy: they've got runny noses and burp and belch. Unfortunately, in film, female characters don't often have that kind of richness.
My feminist training was that this was your goal, to be a self-sufficient woman, but that is a miscalculation. It's just not the way we work. We work in dialogue with the community.
ELECTED Silence, sing to me And beat upon my whorlèd ear, Pipe me to pastures still and be The music that I care to hear.
Let me sit in a flowerpot, The spiders won't notice. My heart is a stopped geranium.
In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it.
All writing is the same: It's just making up lies until it starts to sound like the truth. That's what I do.
I think all creative people are operating from the fear that, of the best of what they did, will anybody remember it? Will anybody tell stories about them? Will anybody keep those pictures on the mantle long after they are gone? It's why people write stories. It's peoples' grave markers.
I tell myself that I created the wardrobe of the contemporary woman, that I participated in the transformation of my times.
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