It is good to have an end to journey towards; but it is the journey that matters, in the end.
Ursula K. Le GuinRead
I get a lot of moral guidance from reading novels, so I guess I expect my novels to offer some moral guidance, but they're not blueprints for action, ever.
Interpretation
Novels can provide moral insights, but they shouldn't dictate our actions.
In this quote, Ursula K. Le Guin expresses her belief that while novels can offer valuable moral lessons and reflections, they are not meant to serve as strict guides for behavior. Instead, they should be seen as prompts for thought and personal interpretation rather than definitive blueprints that determine how one should act in reality.
In practice
In a book club discussion about the moral themes in a novel.
It is good to have an end to journey towards; but it is the journey that matters, in the end.
In reading a novel, any novel, we have to know perfectly well that the whole thing is nonsense, and then, while reading, believe every word of it. Finally, when we're done with it, we may find - if it's a good novel - that we're a bit different from what we were before we read it, that we have changed a little... But it's very hard to say just what we learned, how we were changed.
Reason is a faculty far larger than mere objective force. When either the political or the scientific discourse announces itself as the voice of reason, it is playing God, and should be spanked and stood in the corner.
The only thing that makes life possible is permanent, intolerable uncertainty; not knowing what comes next.
We read books to find out who we are. What other people, real or imaginary, do and think and feel... is an essential guide to our understanding of what we ourselves are and may become.
When he found that the administrators were upset, he laughed. βDo they expect students not to be anarchists?β he said. βWhat else can the young be? When you are on the bottom, you must organize from the bottom up
There was no really good true war book during the entire four years of the war. The only true writing that came through during the war was in poetry. One reason for this is that poets are not arrested as quickly as prose writers.
The poet can only write the poems; it takes the reader to complete the meaning.
In Algeria, I had begun to get into literature and philosophy. I dreamed of writing-and already models were instructing the dream, a certain language governed it.
I am still bowled over by this great young adult novel by David Levithan called 'Every Day,' which is about a character with no gender or body who wakes up every day in the body of a different person. It's a really impressive execution of a really great premise.
After I had my son I looked everywhere for a book that might serve as some kind of mirror. I bought so many silly books. Now I see what the problem was: I wanted a book about time-about mortality. I can't think of a writer who is at once so experimentally daring and so rigorously uncompromising as Sarah Manguso. Ongoingness is an incredibly elegant, wise book, and I loved it.
Read with care, George Orwell's diaries, from the years 1931 to 1949, can greatly enrich our understanding of how Orwell transmuted the raw material of everyday experience into some of his best-known novels and polemics.
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