There were not a lot of women in the theater department - it was really run by men, and so the message was that women can be onstage, but women can't really be backstage.
Interpretation
The quote highlights the gender disparity in theater, where women are often limited to onstage roles and excluded from key behind-the-scenes positions.
Lynn Nottage's quote reflects on the historical imbalance in the theater department, revealing a culture dominated by men that suggests women are only suitable for performance roles while being systematically denied access to important behind-the-scenes opportunities. This observation sheds light on broader societal issues regarding gender roles and representation in the arts and in professional settings.
In practice
In a speech about gender equality in the arts.
People probably have different philosophies about this, but I think that when you're first shaping the play and trying to find a character, the initial actors that develop it end up imprinting on it - you hear their voices; you hear their rhythms. You can't help but to begin to write toward them during the rehearsal process.
The person whose work introduced me to the craft was Lorraine Hansberry. The person who taught me to love the craft was Tennessee Williams. The person who really taught me the power of the craft was August Wilson, and the person who taught me the political heft of the craft was Arthur Miller.
I was repeatedly told that there isn't an African American woman who can open a show on Broadway. I said, 'Well, how do we know? How do we know if we don't do it?' I said, 'I think you're wrong.'
Once working people discover that, collectively, we have more power than we do as individual silos, then we become an incredibly powerful force. But I think that there are powers that be that are invested in us remaining divided along racial lines, along economic lines.
It's incumbent on us to reach beyond the confines of the institutions that traditionally produce art and find new ways to get it to the people.
My grandfather was a Pullman porter, and my father put his way through college by cleaning floors at night in the libraries. I understand that working people are in some way the bedrock of my existence and the existence of many people here.
In individual industries where female labour pays an important role, any movement advocating better wages, shorter working hours, etc., would not be doomed from the start because of the attitude of those women workers who are not organized.
Here's my feeling: For everyone, men and women, it's important to be a feminist. It's important to have female characters. It's wonderful for women to mentor other women, but it's just as important for women to mentor men and vice-versa. In my line of work, having Greg Daniels be such a great mentor to me is fantastic. Finding a writer's assistant, be it a man or a woman, and encouraging them to think with a feminist perspective, is key.
The more I think on the present condition of woman, the more am I oppressed with the reality of their degradation.
We teach girls shame; close your legs, cover yourself, we make them feel as though by being born female they're already guilty of something.
But as to women, who can penetrate the real sufferings of their she condition? Man's very sympathy with their estate has much of selfishness and more suspicion. Their love, their virtue, beauty, education, but form good housekeepers, to breed a nation.
Diane Keaton is good for women in and of herself. She's smart and funny and real.
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