Obviously you have to make a profit to put out a newspaper. I'm not an idiot. But when the margins are in excess of 25 per cent you're talking about greed.
Carl HiaasenRead
Lots of people can write a good first page but to sustain it, that's my litmus test. If I flip to the middle of the book and there's a piece of dialogue that's just outstanding, or a description, then I'll flip back to the first page and start it.
Interpretation
The ability to maintain quality in writing is crucial, not just to start strong but to keep the reader engaged throughout.
In this quote, Carl Hiaasen emphasizes the importance of sustaining quality in writing beyond just the initial appeal of a first page. He suggests that the true test of a good book is whether it continues to captivate the reader through compelling dialogue and descriptions further along in the text, illustrating that lasting engagement is what truly matters in storytelling.
In practice
In a writing workshop on sustaining narrative quality.
Obviously you have to make a profit to put out a newspaper. I'm not an idiot. But when the margins are in excess of 25 per cent you're talking about greed.
As frightening as this may sound, what you see in the books is the way I see the world. And so far I haven't seen anything, either in Florida or elsewhere, to dissuade me from it.
To me, the newspaper business was a way to learn about life and how things worked in the real world and how people spoke. You learn all the skills - you learn to listen, you learn to take notes - everything you use later as a novelist was valuable training in the newspaper world. But I always wanted to write novels.
When you're given a newspaper column, you're not being paid to sit on a fence and scratch your chin and say 'On the one hand this' and 'On the other hand that.' You're getting paid for your opinion.
The greatest sin for a writer is to be boring.
The Florida in my novels is not as seedy as the real Florida. It's hard to stay ahead of the curve. Every time I write a scene that I think is the sickest thing I have ever dreamed up, it is surpassed by something that happens in real life.
Most American writers don't get asked their opinion on current affairs, whereas in Europe and England, we still do. There are writers here who are the most sophisticated commentators, but they're not asked. Like Don DeLillo, who sort of forecast most of the modern world before it happened.
I'm fighting against the bad poet who is prone to using too many words.
It is with noble sentiments that bad literature gets written.
Among contemporaries, I hugely admire Alice Munro, our Chekhov, Saul Bellow, Philip Roth, and John Updike, American masters all. I also believe that the voice of Gordon Lish is astoundingly original and sorrowful.
I don't know the literary world; I was scared of being confronted with famous names, not knowing what they had written. It was occupied territory I was entering.
You may translate books of science exactly. ... The beauties of poetry cannot be preserved in any language except that in which it was originally written.
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