As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
William ShakespeareRead
All lovers swear more performance than they are able, and yet reserve an ability that they never perform; vowing more than the perfection of ten, and discharging less than the tenth part of one.
Interpretation
Lovers often promise more than they can deliver, yet they hold back even more potential.
In this quote, Shakespeare suggests that lovers tend to make grand promises and declarations of love that exceed their actual capabilities. They may vow to give their all, yet often fail to meet even a fraction of those expectations, highlighting the disparity between love's idealism and its reality.
In practice
This quote could be used in a wedding speech to humorously highlight the promises made in relationships.
As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
Love bears it out even to the edge of doom.
Good company, good wine, good welcome, can make good people.
Absence doth sharpen love, presence strengthens it; the one brings fuel, the other blows it till it burns clear.
Lord, Lord, how this world is given to lying!
Give it an understanding, but no tongue.
Time is so old and love so brief, love is pure gold and time a thief. We're late, darling, we're late, The curtain descends, everything ends, too soon, too soon.
A strange, terrific force unlike anything I've ever experienced is sprouting in my heart, taking root there, growing. Shut up behind my rib cage, my warm heart expands and contracts independent of my will--over and over.
There is no love; there are only proofs of love. Whatever love I might feel in my heart, others will see only my action.
I pretended indifference…even in the presence of love, in the presence of hunger. And the more deeply I felt, the less able I was to respond.
Yes, I was infatuated with you: I am still. No one has ever heightened such a keen capacity of physical sensation in me. I cut you out because I couldn't stand being a passing fancy. Before I give my body, I must give my thoughts, my mind, my dreams. And you weren't having any of those.
He takes her in his arms He wants to say I love you, nothing can hurt you But he thinks this is a lie, so he says in the end You're dead, nothing can hurt you which seems to him a more promising beginning, more true.
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