But what is Hope? Nothing but the paint on the face of Existence; the least touch of truth rubs it off, and then we see what a hollow-cheeked harlot we have got hold of.
Lord ByronRead
A man of eighty has outlived probably three new schools of painting, two of architecture and poetry and a hundred in dress.
Interpretation
The quote reflects on how a person's lifetime encompasses numerous changes in artistic and cultural expression.
Lord Byron's quote emphasizes the vast spectrum of creative evolution that occurs over a lifetime. An individual, having lived for eighty years, witnesses significant shifts in art, architecture, literature, and fashion, highlighting the transient nature of cultural trends and the enduring influence of those experiences.
In practice
During a lecture on the evolution of modern art, I quoted Byron to illustrate how each generation shapes artistic expression.
But what is Hope? Nothing but the paint on the face of Existence; the least touch of truth rubs it off, and then we see what a hollow-cheeked harlot we have got hold of.
It is the lava of the imagination whose eruption prevents an earthquake.
For what were all these country patriots born? To hunt, and vote, and raise the price of corn?
Absence - that common cure of love.
Her great merit is finding out mine; there is nothing so amiable as discernment.
But words are things, and a small drop of ink, Falling like dew, upon a thought, produces That which makes thousands, perhaps millions, think.
In my younger days, I was trying to write sophisticated prose and fantastic stories.
My whole life has been a twenty years struggle between poetry and prose, or, if you like to call it so, Music and Law.
When you stand on the stage you must have a sense that you are addressing the whole world, and that what you say is so important the whole world must listen.
A short story is the ultimate close-up magic trick -- a couple of thousand words to take you around the universe or break your heart.
Poetry is not Irish or any other nationality; and when writers such as Messrs. Clarke, Farren and the late F. R. Higgins pursue Irishness as a poetic end, they are merely exploiting incidental local colour.
The subject of drama is The Lie. At the end of the drama THE TRUTH -- which has been overlooked, disregarded, scorned, and denied -- prevails. And that is how we know the Drama is done.
Subscribe for the occasional hand-picked quote. No noise.