You paint what you know best; what you went through as a teenager and child. My world is the one I got to know in Medellin; I never paint anything else other than that.
Fernando BoteroRead
I was drawing a mandolin, and I made the sound hole very small, which made the mandolin look gigantic. I saw that making the details small made the form monumental. So in my figures, the eyes, the mouth are all small, and the exterior form is huge.
Interpretation
This quote highlights the artistic technique of manipulating proportions to create a striking visual impact.
Fernando Botero's quote reflects on his approach to art, wherein he emphasizes the interplay between size and detail. By intentionally designing smaller features in contrast to larger forms, he creates a sense of monumentality, allowing the viewer to perceive the essence of the figures in a more powerful way. This technique showcases the significance of perception in art, where proportions dictate not just aesthetics but also emotional resonance.
In practice
During a discussion about artistic techniques in a classroom setting.
You paint what you know best; what you went through as a teenager and child. My world is the one I got to know in Medellin; I never paint anything else other than that.
In a photo, you just do a click, but in art you have to put in so much energy. This concentration of energy and attention says something that other media cannot say.
Nobody ever told me, 'Art is this.' This was good luck in a way because I would have had to spend half of my life forgetting everything that I had been told, which is what happens with most students in schools of fine arts.
I love my country, and it hurts not to be able to see my country, as I did for so many years. I hope that I will one day be able to live in a peaceful Colombia.
An artist is born like a priest is born. If they are born an artist, I would tell them art is not a game: it is something very serious which completely requires everything you have to give.
When you start a painting, it is somewhat outside you. At the conclusion, you seem to move inside the painting.
For too many centuries women have been being muses to artists. I wanted to be the muse, I wanted to be the wife of the artist, but I was really trying to avoid the final issue — that I had to do the job myself.
It is only when you open your veins and bleed onto the page a little that you establish contact with your reader. If you do not believe in the characters or the story you are doing at that moment with all your mind, strength, and will, if you don't feel joy and excitement while writing it, then you're wasting good white paper, even if it sells, because there are other ways in which a writer can bring in the rent money besides writing bad or phony stories.
Actors search for rejection. If they don't get it they reject themselves.
Because I don't play guitar any more, African harmonies and rhythms have been an inspiration to me. I love the raw origin of the sound. It complements my voice and words naturally.
Being a Negro writer these days is a racket and I'm going to make the most of it while it lasts. About twice a year I sell a story. It is acclaimed. I am a genius in the making. Thank God for this Negro literary renaissance. Long may it flourish
Because you have things like 'American Idol' and you've got radio stations that play music made entirely by computers, it's easy to forget there are bands with actual people playing actual instruments that rock.
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