For tyme ylost may nought recovered be.
Geoffrey ChaucerRead
But manly set the world on sixe and sevene; And, if thou deye a martir, go to hevene.
Interpretation
This quote suggests that one should confront life boldly and be ready to face death with valor.
In this quote, Chaucer conveys the idea that one must live life fearlessly and embrace the realities of existence, including the inevitability of death. The metaphor of 'setting the world on sixe and sevene' implies a state of uncertainty or precariousness, urging individuals to navigate through life's challenges with courage, knowing that martyrdom, or dying for a cause, leads to a heavenly reward.
In practice
In a motivational speech about facing fears and challenges.
For tyme ylost may nought recovered be.
For in their hearts doth Nature stir them so Then people long on pilgrimage to go And palmers to be seeking foreign strands To distant shrines renowned in sundry lands.
If gold rusts, what then can iron do?
Thus with hir fader for a certeyn space_x000D_ _x000D_ Dwelleth this flour of wyfly pacience,_x000D_ _x000D_ That neither by hir wordes ne hir face_x000D_ _x000D_ Biforn the folk, ne eek in her absence,_x000D_ _x000D_ Ne shewed she that hir was doon offence.
Ther nis no werkman, whatsoevere he be, That may bothe werke wel and hastily.
For oute of olde feldys, as men sey,_x000D_ _x000D_ Comyth al this newe corn from yer to yere;_x000D_ _x000D_ And out of olde bokis, in good fey,_x000D_ _x000D_ Comyth al this newe science that men lere.
Fighting aging is like the War on Drugs. It's expensive, does more harm than good, and has been proven to never end.
Kill the pig! Cut his throat! Kill the pig! Bash him in!
A state is better governed which has few laws, and those laws strictly observed.
For one gains by losing And loses by gaining.
The basic test of freedom is perhaps less in what we are free to do than in what we are free not to do.
It is the Late city that first defies the land, contradicts Nature in the lines of its silhouette, denies all Nature. It wants to be something different from and higher than Nature. These high-pitched gables, these Baroque cupolas, spires, and pinnacles, neither are, nor desire to be, related with anything in Nature. And then begins the gigantic megalopolis, the city-as-world, which suffers nothing beside itself and sets about annihilating the country picture.
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