The more I'm pushed in a position of leadership and I know I have to be the mouthpiece for so many other people who can't speak for themselves, the more confidence I'm gaining.
So many women characters are extensions of male fantasy.
Interpretation
What this quote means
The quote reflects on how female characters in media often serve to fulfill male fantasies rather than being fully developed individuals.
Viola Davis's quote critiques the portrayal of women in literature and film, suggesting that many female characters are created primarily to satisfy male desires and expectations. This perspective highlights the need for more authentic and complex representations of women that go beyond the limitations of male-centric narratives, advocating for stories that empower and develop female characters as multi-dimensional beings with their own agency.
Themes
In practice
Example use cases
In a discussion on gender representation in film, this quote can be used to highlight the lack of depth in many female roles.
More from Viola Davis
All quotes βWhat excites me is just taking some time to breathe in life. The mundane is very exciting.
I don't care if someone is new to acting or experienced in acting: you always learn something from them. It's just like people in life - whether they're young or middle-aged or old, you always learn something from someone.
I don't see a lot of narratives written where a woman who looks like me gets to be beautiful and sexualized and upwardly mobile, middle-class, funny, quirky. They're very seldom written.
And that's what people want to see when they go to the theater. I believe at the end of the day, they want to see themselves - parts of their lives they can recognize. And I feel if I can achieve that, it's pretty spectacular.
There's no prerequisites to worthiness. You're born worthy, and I think that's a message a lot of women need to hear.
Similar quotes
[on BBC's Sherlock] It's a rare challenge, both for the audience and an actor, to take part in something with this level of intelligence and wit. You have to really enjoy it. It's a form of mental and physical gymnastics.
I turned silences and nights into words. What was unutterable, I wrote down. I made the whirling world stand still.
It was a pleasant cafe, warm and clean and friendly, and I hung up my old water-proof on the coat rack to dry and put my worn and weathered felt hat on the rack above the bench and ordered a cafe au lait. The waiter brought it and I took out a notebook from the pocket of the coat and a pencil and started to write.
To write tragedy, a man must feel tragedy. To feel tragedy, a man must be aware of the world in which he lives. Not only with his mind, but with his blood and sinews.
It was an unforgettable picture to see Chopin sitting at the piano like a clairvoyant, lost in his dreams; to see how his vision communicated itself through his playing, and how, at the end of each piece, he had the sad habit of running one finger over the length of the plaintive keyboard, as though to tear himself forcibly away from his dream.
I found a comfort in trying to solve some poetic problems because there were human ones I just couldn't solve.