If I body-shame a woman, it is more a reflection of me being critical of my body, me not being able to keep up to certain standards I have, and so making sure that the women around me feel the same way.
Rupi KaurRead
There was no market for poetry about trauma, abuse, loss, love, and healing through the lens of a Punjabi-Sikh immigrant woman.
Interpretation
This quote highlights the lack of representation for specific experiences in poetry.
Rupi Kaur's quote reflects on the challenges faced by marginalized voices, particularly those of Punjabi-Sikh immigrant women, in the literary world. It emphasizes how personal and cultural narratives related to trauma, love, and healing often go unnoticed in mainstream poetry, suggesting a need for broader acceptance and inclusion of diverse stories in the arts.
In practice
During a literary festival discussing marginalized voices in poetry.
If I body-shame a woman, it is more a reflection of me being critical of my body, me not being able to keep up to certain standards I have, and so making sure that the women around me feel the same way.
There have been articles saying that all women need to read my book. I ask, why not all men? In fact, that would be even more valuable because we women want to sit down with men and tell them - this is how we feel, this is what we go through.
When I was little, my dad told me about Anandpur Sahib and the court of Guru Gobind Singh. That we came from a tradition of poets, warriors and artists who created when it was illegal to create... we're groomed to be reckless in the defense of what we feel is right.
I wasn't entitled to dream so big. The idea of me being a writer wasn't even possible in my mind. Even when I began to write and first published, I couldn't call myself a writer.
The way a small child might dream of visiting Disneyland, I dreamed of writing books. Never did I think my poems would become that.
I was always writing for myself. I wrote what I needed to write and hear - that's what makes it powerful.
Variety is very, very good. Going from medium to medium, if you get the chance to do it, from theater to television to film, which are all distinctly different, keeps me sharp. What works in one doesn't work in the other, and you have to be looking for the truth of the performance, whatever way that medium might demand.
Art consists of limitation. The most beautiful part of every picture is the frame.
I've never gotten over what they call stagefright. I go through it every show. I'm pretty concerned, I'm pretty much thinking about the show. I never get completely comfortable with it, and I don't let the people around me get comfortable with it, in that I remind them that it's a new crowd out there, it's a new audience, and they haven't seen us before. So it's got to be like the first time we go on.
Composers in the old days used to keep strictly to the base of the theme, as their real subject. Beethoven varies the melody, harmony and rhythms so beautifully.
No author has created with less emphasis such pathetic characters as Chekhov has.
Never use the word 'audience.' The very idea of a public, unless the poet is writing for money, seems wrong to me. Poets don't have an 'audience'. They're talking to a single person all the time.
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