I've always wanted to be aware of what's going on around me, and I've wanted to use photography as an instrument of research into and reporting on the life of my own time.
Paul StrandRead
No matter what lens you use, no matter what speed the film, no matter how you develop it, no matter how you print it, you cannot say more than you can see.
Interpretation
The way we perceive and interpret the world limits the expression of our ideas.
This quote by Paul Strand emphasizes that our understanding and representation of reality are constrained by our perceptions and the tools we use. Regardless of the methods or mediums at our disposal, the essence of what we can convey is ultimately defined by what we are able to observe and comprehend.
In practice
In a photography workshop, to illustrate artistic perception.
I've always wanted to be aware of what's going on around me, and I've wanted to use photography as an instrument of research into and reporting on the life of my own time.
The photographer's problem is to see clearly the limitations and at the same time the potential qualities of his medium, for it is precisely here that honesty no less than intensity of vision is the pre-requisite of a living expression. The fullest realization of this is accomplished without tricks of process or manipulation, through the use of straight photographic methods.
It is one thing to photograph people. It is another to make others care about them by revealing the core of their humanness.
I like to photograph people who have strength and dignity in their faces. Whatever life has done to them, it hasn’t destroyed them.
It is easy to make a picture of someone and call it a portrait. The difficulty lies in making a picture that makes the viewer care about a stranger.
The portrait of a person is one of the most difficult things to do. It means you must almost bring the presence of that person photographed to other people in such a way that they don't have to know that person personally, but that they are still confronted with a human being that they won't forget. That's a portrait.
The continuous narrative of existence is a lie. There is no continuous narrative, there are lit-up moments, and the rest is dark. When you look closely, the twenty-four hour day is framed into a moment; the still-life of the jerky amphetamine world. That woman-a pieta. Those men, rough angels with an unknown message. The children holding hands, spanning time. And in every still-life, there is a story, the story that tells you everything you need to know.
We live in an age rather skeptical of truth, of its existence." There is a "tendency to believe that nothing is definitive, and think that the truth is given by consent or by what we want. The question arises: does "the" truth really exist? What is "the" truth? Can we know it? Can we find it?
In 'Self Comes to Mind' I pay a lot of attention to simple creatures without brains or minds, because those 'cartooned abstractions of who we are' operate on precisely the same principles that we do.
If all ideas have to be bought, then you have an intellectually regressive system that will assure you have a highly knowledgeable elite and an ignorant mass.
I'm so thankful for the active obedience of Christ. No hope without it.
Tis' better to live your own life imperfectly than to imitate someone else's perfectly.
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