Since everything is in our heads, we had better not lose them.
Coco ChanelRead
Only those with no memory insist on their originality.
Interpretation
True originality is rooted in the influence of the past, as understanding history fosters creativity.
Coco Chanel's quote suggests that claiming originality without acknowledgment of past influences is a sign of ignorance. It highlights the importance of memory and learning from those who came before us, implying that originality is often a complex blend of inspiration, history, and reimagined ideas.
In practice
This quote could be used in a speech about innovation in art and design.
Since everything is in our heads, we had better not lose them.
Hard times arouse an instinctive desire for authenticity.
Success is often achieved by those who don't know that failure is inevitable.
You can be gorgeous at thirty, charming at forty, and irresistible for the rest of your life.
Elegance does not consist in putting on a new dress.
Look for the woman in the dress. If there is no woman, there is no dress.
It is a truth universally acknowledged that from puberty onwards, the female body is disgusting and unruly and must be tamed, trimmed and tinted to within an inch of its life before it can be allowed to roam freely in the public eye.
We are born and reborn countless number of times, and it is possible that each being has been our parent at one time or another. Therefore, it is likely that all beings in this universe have familial connections.
His words even imply that philanthropy has deeper depths than is generally realized. The great emotions of compassion and mercy are traced to Him; there is more to human deeds than the doers are aware. He identified every act of kindness as an expression of sympathy with Himself. All kindnesses are either done explicitly or implicitly in His name, or they are refused explicitly or implicitly in His name.
Giving is what makes a nation great.
Clay is moulded to make a vessel, but the utility of the vessel lies in the space where there is nothing. . . . Thus, taking advantage of what is, we recognize the utility of what is not.
Remember that you are an actor in a play, and that the Playwright chooses the manner of it: If he wants you to act a poor man you must act the part with all your powers; and so if your part be a cripple or a magistrate or a plain man. For your business is to act the character that is given you and act it well. The choice of the cast is Another's.
Subscribe for the occasional hand-picked quote. No noise.